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Dinamo turns Stefan Marx’s handwriting into a font

It’s a (wo)man’s game: Janet Delavan’s Feminine American Pastime deconstructs gender-based activities

Matt Willey’s Helions brand has a tender intensity in favour of tone rather than concept

“Keep away from the bloody computer!”: Helen Oxenbury on the art of illustrating childhood

Can Can Press is the Risograph studio reshaping the print and zine scene in Mexico City

Felicity Ingram’s debut photobook is a globetrotting ode to rave culture

Take a trip into Brian Blomerth’s graphic history of psychedelic experiments

Where to book hunt in Amsterdam, a playground for contemporary book design

Claire Boon’s systematic practice challenges conventional design thinking

“My goal in life is to make cool shit”: Zan Goodman on her creative studio, Zan Inc.

At Tacabanda studio, design snobbery is out and happy mistakes are in

How Passover became a design problem

Sweet Bitter studies the radicchio in an unfolding collage of its forms

A24’s latest book unpicks the beauty and craft behind Past Lives

Algae or underwear? Mandy Barker documents the fast fashion waste polluting our seas

A new book documents over two decades of Rocket Recordings’ independent album artwork

“In a time when it’s harder than ever to make a living from art, art gets made anyway”: The White Pube on their debut book

At Stephen Barrett Studio, every project begins with typography

A love letter to the lost tradition of queer matchbooks

Vrints-Kolsteren’s design practice is ever-evolving