Weekender-list
Weekender

Welcome to your Halloween-themed fun pot! It's the Weekender

It's Nice That •
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    Easily the most daunting periods of the art school experience are the summer before you arrive and the entire year after you’ve left; The former fills you with an unpleasant anticipation and the unshakable feeling that you’re heading off to be bottom of the pile once again. Sure you were the biggest fish with the best drawing skills in the tiny creative pool that was high school, but now you’re off to battle it out with other equally talented folks for the next three years; you’ve got every right to be nervous. The latter is justifiably terrifying because you’ve got your whole life ahead of you and a mountain of debt to start dealing with. What was the point of that degree again?

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    I’ve never wanted to applaud anyone more than the guys behind this project. Tech-wizards Jankenpopp & Zombectro have created a very special website that transports you back to your childhood and the days when you were just about getting to grips with a computer. Entitled Windows 93 the simulator is actually inspired by Windows 95 with its trademark grey, moveable boxes and somewhat threatening pixelated icons. The duo have thought of everything and have left no stone unturned when it comes to recreating how computers used to look and feel, which subsequently makes it totally hilarious.

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    Is it us or has everyone gone way more bonkers for Halloween this year than ever before? Whatever, we’re jumping on the bandwagon, and have put together a spectacular, terrifying mixtape for you. This year we decided to concentrate on a particularly fantastic sub-genre that is spooky, psychedelic songs from the 1960s. Back then countless bands were teaming up in groups and calling themselves things like “The Five Blobs,” “Don Hinson and the Rigamorticians” and “Frankie Stein” to deliver some of the creepiest, grooviest songs in existence. Even if you’re not that into it, putting this on at a Halloween party tonight for everyone to bop to is far, far cooler than just putting on Michael Jackson’s Thriller, again.

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    It’s become so easy to be sniffy about Shoreditch, all besmirched as it is with lecherous city-boy drunks, Johnny-come-lately “street food pop ups” and guided pub crawls for hapless young backpackers. But while we won’t bother to go into the tired old complaints about gentrification, it’s important to recognise the perfect storm of creativity, East End charm and some awesomely peculiar characters that made the place so alluring in the first place.

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    “It’s been funny seeing ‘Robert Redford to sign off’ on our work plans in recent months," Mark Aver, Mother Design New York design director tells us, revealing the new identity for the 2015 edition of the Sundance Film Festival. The independent film festival, which started in 1978 in Utah, is chaired by Redford, who from the sounds of it, takes quite a hands-on approach.

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    Hardly anyone’s been on an uphill-climb as fast as Tyrone Lebon. One day he plopped into our lives with his photographs and films, and then the next minute he’s everywhere – shooting people all over the world and being talked about by countless magazines and websites. Just to reassure us that he’s no flash in the pan he’s just created this fantastic, informed collage of a film.

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    As it’s Halloween, it’s a good time to remember the true masters of horror. One that immediately springs to mind is of course scarer extraordinare Stephen King, with his hair-raising ability to reduce many of us to quivering wrecks through menacing characters and devilish plot twists.

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    It’s rare that we have cause to feature a single illustration project on the site, but Scott Gelber’s recent work for The New York Times is quite an unusual case. The Texas-based digital artist seriously impressed us this week with his illustration for an editorial that questioned whether or not video games could be considered art. It’s an issue that’s cropping up increasingly online, and one which undoubtedly requires a careful touch to illustrate. Scott’s solution camouflaged various computer game characters within famous paintings – the one that was finally used is, I believe, a character from Assassin’s Creed – compositing sketches of numerous high-profile characters in works like the Mona Lisa, Judith Slaying Holofernes and Manet’s Le Déjeuner sur l’Herbe. Pretty impressive work for a guy who usually specialises in GIFs. More of this please Scott.

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    If you’re anything like me, the 1990s were a decade dedicated to pogs, the Spice Girls, Hey Arnold and Clarissa Explains It All and with those keys players to occupy us it’s no surprise we were too busy to pause and take note of all the great slang vocal being flung around. Fortunately i-D were more than happy to recount the lot in their classic alphabetical fashion, and they even recruited the marvellous Layzell Bros to help them.

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    Andrea Grützner’s images from her series, Tanztee are bold and brilliant, capturing the interactions of a rural Eastern German community in a beautifully eye-catching way.

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    This week we chat Rebecca Wright’s fantastic article about the drop-off rate of female design students, Graphic Design Festival Scotland and Darren Cullen’s controversial Pocket Money Loans pop up shop. You can listen using the SoundCloud embed below or you can subscribe via iTunes here. See you next week!

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    Back in March, Professor Phil Cleaver released a small but weighty new book entitled What They Didn’t Teach You In Design School. The book sought to fill people in on the finer points of design education often skimmed over by busy tutors, and the result is a funny, nitty-gritty-hitting publication that is genuinely useful! For our Back to School feature we asked Phil to share a few of his favourite, most memorable excerpts from the book. Enjoy!

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    Johnny Dufort is a photographer from Cornwall who is currently living and working in London. That’s about all we know of him thus far, but we’re dead certain it won’t be the case for long; the young’un was picked up by i-D earlier this summer as one of the new generation of photographers, and as they so aptly phrased it, “learn their names, because you’re going to need them!”

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    No magazine gets snapped up and devoured like Apartamento when it arrives into the It’s Nice That studio – there’s something about its size, understated beauty and incomparable wit that makes it irresistable. It states that it’s an “everyday life interiors magazine,” but it’s so much more than that, providing in-depth interviews with some of the coolest people who walk on this earth, with snooping photographs of their dwellings to boot. Now on its 14th edition, I wanted to ask Omar Sosa, the magazine’s much-loved founder, a little about this issue, those in the past, and where Apartamento is headed.