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Graphic Design

Studio Regular show that it's possible to make a timetable look great

James Cartwright •
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    I was surprised to learn that Amsterdam’s HOAX studio don’t seem to have been on the site before, and faced with their wide-ranging portfolio it was a challenge to focus in on a narrative that made sense. Founders Bram Buijs, Sven Gerhardt and Steven van der Kaaij joined forces based on their “shared love for typography, material and experimentation” and this passion for fresh creative thinking runs throughout their work.

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    A couple of weeks ago, Channel 4 aired a documentary (below) which saw photographer Giles Duley (himself a triple amputee) meet some of the disabled victims of the war in Syria. It was a difficult watch but an extremely important story to tell, and one that meant a lot to Giles. He got in touch to say that although The Guardian ran an in-depth piece on the same theme, he had some photographs which weren’t used that he was really keen to get out there.

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    Nothing helps the brain learn better than a good old visual aid, so what better way to tackle Harvard’s online neuroscience course than to watch these clever animations.

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    There’s a reason Jeremy Leslie is one of the most knowledgable guys on the planet when it comes to magazines, he spent a good few years at London College of Communication back in the 1980s honing his skill when magazines and printed matter were in their absolute heyday. We were curious as to the experiences Jeremy had at art school in the early 1980s and how much (if at all) it informed his love for publications today. Naturally, we wanted to see what he looked like back then. Turns out it’s similar to what everyone looked like in the 1980s: the same, but with more hair. Here he is on student life and the value of a good education with fantastic tutors.

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    Some writers create page-turners; masters of narrative and plot that compel you to keep on reading. In some ways Joan Didion is the opposite, although her writing is no less compelling. When reading her work, its brilliance stops me dead over and over again, such is her ability to analyse a person, a place or a concept and then articulate her thoughts.

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    I don’t care how nice the wallpaper or the lampshades may be, there’s something creepy about the stereotypical American motel featured in films, novels and plays. As if expressly to prove my point, artist Airco Caravan created a series called Crime Scene in which she paints the rooms that have previously played host to murders, suicides and accidental deaths.

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    Lumiere Studios’ experiments in RealFlow software seamlessly flow out of the territory of tech and funnel into something rather lovely. The London-based animation design and production studio has uploaded a number of its tinkerings that showcase the software’s Hybrido system, taking the viewer through an impressive behind-the-scenes look at how it builds up simulations of gushing water. Stripped of their drama, the animations have a quiet pathos about them. As the building-blocks of the final effects, the vivid blues of the Truck Street video seem all the more arresting, silently flooding the streets and washing away their contents. In the museum animation, different volumes of fluid are contrasted against the eerie steps, elevating the experiment into something quite dazzling in its own right.

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    This week online editor Emily Gosling looks at who can really claim authorship of artworks created using technology designed by someone else. Who can really take the credit for art that might not be possible without the tech know-how of others?

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    Michael Parkin’s portfolio is a wonderful mix of commissioned work interspersed with personal projects, which is exactly what you want when looking through a creative’s website. His style is simple but well observed and whether he’s creating a poster for Little White Lies or a series of prints relating to a trip to Denmark, Michael’s work is wonderful at telling a story.

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    Every once in a while it’s worth having a good old stare at the architecture around us. Often we simply stop noticing buildings because they’re so good at doing what they’re supposed to do; which is a shame because as well as functionality, there’s an overlooked beauty within those structures we can all appreciate.

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    Francesca Jane Allen studied Photography at the prestigious London College of Communication. Since then she’s been an It’s Nice That Graduate and is now on a total rise – 70,000 adoring Instagram followers and emails flooding in from established publications from all over the world to commission her. A few weeks ago we wrote to Francesca asking her to write a piece about her time at art school. She was one of the few people who responded with a negative point of view on the subject, so we asked her to elaborate on why it wasn’t for her, and how even though you’re encouraged to go, perhaps sometimes it isn’t always the right thing to do. Here she is on why you don’t have to go to art school to be a spectacular photographer…

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    Peter Brookes is a demigod among political cartoonists. The septuagenarian is now in his 22nd year at The Times where he still produces a cartoon every day, distilling the frustrations, jibes and political unrest of the nation into one biting image to a looming and unmoveable deadline. This short film The Art of Satire examines Peter’s work in the contexts both of political cartooning and of The Times, who recognise Peter’s exceptional skill by allowing him to contradict the editorial direction of the paper in favour of following his own line.

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    In March this year we discussed the intriguing Middle Eastern publication The Outpost, one of the first independent titles from the Lebanon to be distributed internationally and in English. At the time the guys behind the design, Spanish/German/of no fixed address studio Rifle, didn’t have a website so we couldn’t show off any more of their portfolio. But since then they’ve managed to both finish work on another beautiful publication and squeeze a new website out into the world. Not bad!

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    If you were wise enough to pick up the Summer issue of Printed Pages you’ll already be familiar with Rami Niemi’s fine work. The Finnish illustrator is a comics artist the likes of which doesn’t come along very often, and he kindly crafted a 12 page story called Lonely Boys for the mag, which included the seven narratives of classic fiction.