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    We featured the work of Verena Michelitsch back in June but on that occasion we focussed on the artier side of her practice. The Austrian graphic designer and illustrator was a founding member of the En Garde studio in Graz before moving to New York to work with Sagmeister & Walsh, Pentagram and RoandCo. Now working freelance, Verena has an eye for stylish graphic solutions often characterised by illustrative touches and impressive restraint.

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    Flickr is one of those magical treasure mines of the internet that’s sure to yield gems if you just look hard enough, and every now and again on our travels we stumble across a great hunk of uncut diamond. To continue the metaphor, Dave Glass is one such treasure.

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    These photographs should carry a warning; they depict such a gloriously idyllic lifestyle they’ll soon have hoards of office workers throwing their suitcases out of nineteenth floor windows and marching, pot plants under arm, to a brighter pastel-shaded future living n slumbering Mexican villages.

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    In recent months the question of so-called spec work has been raised with us over social media in light of various design competitions we have helped promote. Off the back of that we have spent a lot of time discussing this thorny issue with various people so as to formulate a consistent approach, although the nature of these things is that each is best analysed on a case by case basis.

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    Is there nothing Tim and Eric can touch without turning it into a gleaming hunk of gold? I’d have imagined that homeware would be simply too dry for their unique brand of slapstick, but somehow the American comedy duo have succeeded in making an ad for GE Link lightbulbs, dreamt up by BBDO New York, which is pant-wettingly funny and super slick without undermining their usual offerings on American channel Adult Swim.

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    Reading Bonjour is like seeing a beautiful symphony translated onto the page, all bright swirls of colour and twinkles of detail which transport you to a dreamy land. It begins as the birds start to sing and traces the start of an ordinary day but somehow makes it seem oh so very magical. The day arrives as a big beamy sun, glowing in tie-dye neon orange glory, and the plants burst into life looking like fantastical plasticine creations. I could happily gaze at French designer Anne Brugni’s cosmic illustrations for a whole day and float away on her marbled clouds into the speckled sky. Its lyrical charm also owes something to musician and writer McCloud Zicmuse’s storytelling. Kids nourished with books like this are surely guaranteed to become creative geniuses.

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    You can do a lot in a year, I’m told, and proof if any was needed comes in the form of Cynthia Kittler. Just last year we listed her as one of our Students of the Month for her “kind, quiet illustration,” and checking by her website again this year I found that not only is she no longer a student, but she’s being regularly commissioned by the likes of The New York Times and Die Zeit magazine for editorial illustration which is not only as quiet and kind as it was last time we checked in, but also incredibly resonant now.

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    The London-based French illustrator Malika Favre has had another big year, adding even more breadth to her already impressive portfolio of work. In the summer she was invited to Tenerife by a Spanish design collective called 28ymedio to take part in its Illustrated Journey project, which aims to “help fight the economic crisis in Spain by promoting the Canary Islands and bringing a new stream of tourism.”

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    What does Little White Lies do best? It talks to the shiniest shimmering stars of the film world about, well, films. And it asks them one question more than any other: what exactly do they love about movies?

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    There are plenty of ways we hear about new creative talent, and we came across Ronan Kelly after his mate Tweeted us saying we’d be mad not to feature him. Turns out said friend was bang on the money, and we explored his portfolio with an increasing sense of excitement.

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    As the reigning royal family of fashion culture, i-D has built up an impressive roster of friends – designers, models, photographers, and magazine editors have been affiliated since Terry Jones first set up shop in 1980 – and they’re all happy to lend a hand when called on. So when fellow online daily resource Business of Fashion announced its index of the 500 most influential figures working in the fashion industry today, I guess it only made sense to cast them all together in a film with a suitably flamboyant brief.

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    Back in 2006, Bryan Formhals was a listless screenwriter-turned-flâneur, wandering the streets of Los Angeles armed with a rangefinder and buoyed by dreams of a film he was never to write. Instead his hours traipsing about Hollwood turned into this photo series, Los Angeles 26, an ethereal study of fleeting moments and contrasts caught on camera.

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    You’d imagine that behind-the-scenes shots of space missions would be fizzing with tension and excitement, but Noah Rabinowitz’ images tell a very different story.

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    It takes a very discerning eye to photograph the famous faces who’ve already graced posters, ad campaigns and magazine covers in a new light, but somehow Boris Kralj has made this fine-tuned art his bread and butter. His subjects range from some of the most famous figures in contemporary culture – Susan Sarandon, Vivienne Westwood, Brian Ferry and Karl Lagerfeld – to models in fashion shoots and commercial work, but all faces receive his attentive treatment. It feels as though he’s spent hours with each subject observing their characteristics and flaws in able to mild this knowledge into a uniquely insightful portrait, and thought I’m sure this can’t be the case it certainly is an impressive thing to master.