• Wallzo2
  • Wallzo1
  • Wallzo3
Graphic Design

Wallzo / Hot Chip

Posted by Will Hudson,

Yesterday saw the launch of the fourth Hot Chip album, One Life Stand and with it saw London based designer Wallzo successfully design the third consecutive album artwork. With rave reviews filling many of the weekends papers and music press we thought we’d check in the Darren Wall (aka Wallzo) to find out more about the artwork.

Evening Darren, following on from The Warning and Made in the Dark you’ve just designed the latest record from Hot Chip, One Life Stand, does it get easier year on year?

Yes, I think I was a lot less nervous about this one. When I did the first album, The Warning, I created a cover with no prior understanding that it would become so well-known. Of course this was a really wonderful experience for me and I was hugely grateful for the chance to get my work seen by so many people, but when it came to sit down and tackle the second album cover I must admit I felt the weight of expectation upon me. That pressure is good of course – it makes for good work – but now its much more self-imposed than anything else.

Is there a conscious effort to do something completely different, keep certain things the same?

After each two year gap, personal influences and tastes are always a little bit different so between myself and the five band members, we always end up doing something different. I work closely with Owen Clarke from the band on the initial ideas, and we have hugely overlapping tastes, so after an evening talking about ideas we normally get to a core aesthetic that we can then experiment with. The band are generally happy if Owen is happy, so its good that we share such similar tastes. That said, we always seem to gravitate towards ‘mysterious objects’ that invite interpretation; the blocks from The Warning, the artifact from the Made in the Dark campaign, and now, of all things, a suspended marble head.

What’s the idea behind the current artwork?

When statues are installed or transported they are often lowered into place with large, colourful canvas slings. Owen had a few photographic examples of this in action and they seemed to create an interesting theme; classical forms intersected with bright stripes of colour. The idea of a head seemed to appeal to the band most of all, and from there it all came together after lots of experimentation. There’s plenty of Giorgio de Chirico and Hipgnosis reference in there too. I think its essentially quite an over-the-top image – like a prog-cover reduced to a screen-print. The most enjoyable part of the process was working with the Vinyl Factory who created the 12" versions of the album. The special edition is a 2-disc gatefold with an art print and we’ve even printed a pattern hidden on the inside of the sleeve.

What are you listening to at the moment?

A friend of ours; Rob Smougton operates under the name Grovesnor and makes music like a laser-guided Hall and Oates. He’s just been signed to Lo Recordings and his forthcoming album will soon be graced with a cover from none other than Non-Format. If his music doesn’t make you smile, then something has gone awfully wrong. You can hear his music here.

Wh-300

Posted by Will Hudson

Will founded It’s Nice That in 2007 and is now director of the company. Once one of the main contributors to the site he has stepped back from writing as the business has expanded. He is a regular guest on the Studio Audience podcast.

Most Recent: Graphic Design View Archive

  1. Nbstudio-almeida-int-list

    It’s often the case with design work that the final outcome is quite different in scope to the original brief. So it was for NB Studio, which was originally asked by the Almeida Theatre in London for a brand review and refresh. After what the studio calls “an intensive period of immersion and briefing sessions,” the NB team came back with a more wide-ranging proposal – “It was clear then that this was to be a bold re-brand rather than mere cosmetic enhancement,” they say.

  2. Vg_alphabeta_04

    About seven years ago Village Green produced a series of iconic posters for London’s infamous Fabric nightclub… and then we haven’t checked up on them since. Poor form on our part as they’ve been busy expanding, improving and creating work for bigger and better clients. Currently it seems they’re specialising in architectural branding for commercial property developments, cladding the Alphabeta redevelopment in Finsbury Square, London and The Bonhill Building office spaces on Old Street. Of course they’ve done other stuff too; like the identity and exhibition design for Jean Paul Gaultier’s Barbican show and Nike’s 2013 Hypervenom campaign, but frankly there’s just too much stuff to cover in one article. We’ll be sure to keep closer tabs on these guys in future.

  3. Quimmarin-posters-int-list

    Barcelona-based designer and art director Quim Marin has a strong visual sensibility and a prolific work-rate if scrolling through his site is anything to go by. There’s a load of impressive poster and other print design on there, with particularly effective use of some trendy tropes which can often feel stale in less talented hands. “In such a visually polluted environment I try to come up with fresh and memorable designs with a clear aim at essential beauty and equilibrium that, at the same time, will ensure communicative effectiveness,“ Quim says by way of a mission statement, and it’s hard to sum up his work better than that.

  4. Chevalvert-int-list-2

    You wade into Chevalvert’s portfolio rubbing your hands across your eyes, unsure of what you’ve stumbled across. The Paris-based studio was founded in 2007 by Patrick Paleta and Stéphane Buellet and describes itself as being based on an “open, multidisciplinary approach,” which might go some way to explaining why it feels like a cave laden with treasures. So many treasures.

  5. Fantastic-man-list

    Fantastic Man magazine has been redesigned, as shown in its teaser image of its tenth anniversary issue. The magazine’s new issue cover star JW Anderson has shown the new cover on Instagram, which reveals a new design seeing the masthead run vertically and horizontally, instead of its previous preluder horizontal configuration. The cover image also runs to both sides, moving away from its previous white-edged format. We’re excited to see what changes might have been made to the inside of the mag…

  6. Dwp-bikestock-int-list

    This morning I had a puncture that I couldn’t fix and had to get the train to work, so it feels timely to be writing about Bikestock, a range of vending machines full of cycling essentials that can be found all over New York and Boston. The concept is a simple one; inner tubes, spanners, tyre levers tyres and any number of other little bits and pieces that make your wheels turn smoothly are boshed into a vending machine so you can grab them on the go and, more importantly, at any time of day!

  7. List

    Joost Bos is a recent graduate from the Academie Minerva Groningen in The Netherlands where he’s spent three years studying for his bachelor’s degree. Like many of his Dutch counterparts he’s a dab hand with typography both traditional and experimental and has a plethora of printed pieces in his portfolio. This one, Sequence 1, is an exhibition catalogue for a show of artist books at Joost’s alma mater, which perfectly demonstrates his design sensibilities. Immaculately set type is interspersed with hand-drawn elements and bright colours bring intrigue to an otherwise monochrome publication. Like what you’re seeing? He’s available for freelance work right now!

  8. Sam-coldy-penguin-int-list

    Is it just me or is Penguin killing it at the moment? The publishing house only recently celebrated its 80th birthday by launching a range of its classic titles for 80p each, accompanied by a slick website and a poster campaign which has reached even the furthest corners of London’s transport system. And right now, they’re in the midst of a new campaign called On the Page which celebrates women authors and characters in literary masterpieces.

  9. Karansingh-mop-int-list

    The glorious coming together of pattern, shape and colour makes for a joyous experience and that’s why print designers are held in such high regard. Last week we commissioned Animade to turn three eye-poppingly good Pucci x Orlebar Brown patterns into trippy GIFs, this week we’re turning our attention to profiling creatives we believe are among the best around when it comes to working in this area. We are proud to present these #mastersofprint.

  10. Gerard-marin-int-list

    There’s something of a trend going around at the moment for identities using 3D logo-marks, and with this one by Gerard Marin we can see why. Barcelona-based designer Gerard developed the branding, stationery and corporate materials for interior designer and visual merchandiser Neus Ortiz. Recognisability and malleability were at the forefront of his mind for this project, and the flexible “N,” which changes according to its application, prove a neat solution to both. His is an unfussy aesthetic which lends itself perfectly to branding projects – here’s hoping more make their way to him very soon.

  11. Nike-logo

    There’s a moment in this film where Michael Bierut comes over all Hayley Joel Osment in The Sixth Sense as he declares: “ I can see things in typefaces that normal people can’t.” It’s part of his discussion about how “design can be a lonely thing” and that as you immerse yourself in that world “you’re actually making yourself less normal than regular people.” Filmed at Design Indaba in South Africa last month, this interesting short film moves onto to look at logos and why designers are so interested in them. Using famous examples like the Nike swoosh and the Target, um, target, Michael explains his theory that we’re drawn to them because they’re primitive and yet we invest them with so much meaning. “A lot of what we see when we’re looking at the logo isn’t really happening in the logo; it happens in our own mind,” he explains.

  12. Emilyoberman-snl-int-hero

    One of the undoubted highlights of this year’s Design Indaba conference in Cape Town was hearing Pentagram partner Emily Oberman detail her long-running work on Saturday Night Live. Emily has worked with the programme for 20 years, creating three separate versions of its identity, various title sequences and even spoof adverts to run in the breaks (like this). Now Emily has teamed up with writer Alison Castle to produce Saturday Night Live: The Book, a 500-page paean to the show which coincides with its 40th anniversary this autumn.

  13. Studio-lin-stampa-int-list

    Sometimes a dead simple idea is all you need to create something really striking. In the case of Studio Lin’s branding of Stampa that simple idea was a rolled up poster. Stampa specialise in limited edition prints produced by some of the best illustrators around – shipped direct to your door. How do they do this? By rolling them up in a poster tube. So what does their logo look like? A pair of rolled-up prints joined at their edges to form an S. Studio Lin also commissioned an entire custom typeface for the brand, but for me it’s that swirling blue S that hits the nail on the head every time. Simple!