Seems to me that a good way of introducing David Ryle’s work would be to borrow pieces from his own “about” text, given that he’s probably fairly familiar with what he produces. The text reads: “He creates quiet scenes, with subtle colour palettes, that are contemplative and alive.” It also mentions, (and this we agree with, totally): “Like a still from a film they have a narrative, each scene seems to have a before and after.” Yikes.
Images above are taken from the series, Into the Valley.
- Moving Brands gives its opinions on the new Google logo design
- Typographic club posters that show how creativity flourishes within boundaries
- Eric Petersen's surreal illustrations take their cues from video games
- Paris-based Adrien Menard's portfolio experiments with letterforms and composition
- The creative process explained via egg metaphors, thanks to artist Honza Zamojski
- Vincent Girardot’s photo diary documents an alpine tour of fish, factories and firs
- No more serifs, same bright colours: Google launches new identity
- Tokyo 2020 Olympic Games logo scrapped over plagiarism row, according to reports
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)
- Playfully tongue-in-cheek illustrations from Germany-based Cécile Dormeau
- The Anonymous Sex Journal is back, and this issue is all about wanking
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield