Seems to me that a good way of introducing David Ryle’s work would be to borrow pieces from his own “about” text, given that he’s probably fairly familiar with what he produces. The text reads: “He creates quiet scenes, with subtle colour palettes, that are contemplative and alive.” It also mentions, (and this we agree with, totally): “Like a still from a film they have a narrative, each scene seems to have a before and after.” Yikes.
Images above are taken from the series, Into the Valley.
- Steve Powers' New York street signs offer an alternative perspective
- Rebecca Scheinberg comes pretty damn close to making perfect photographs
- Hamburg-based studio I Like Birds' comprehensive film festival identity
- The Plant creates identity for Walthamstow business hub using a process from 1905
- Wayfaring land artist Richard Long pays homage to his Bristol roots
- Designs for a tarot deck celebrating black stars and overseen by Jodorowsky
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Embracing the uncanny with photographer Nadia Lee Cohen (NSFW)
- Hello and welcome to the new look It’s Nice That
- Street photographer Vincent Chapters captures London’s spirit
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns