Photographer Lucia Morate boasts a portfolio packed with artfully-shot enigma. The Madrid-based creative enjoys taking familiar set-ups and then twisting them to confound our expectations in a pleasantly disorientating way. So in Cactus in Bloom he takes the trust exercise of a person falling into someone else’s arms – a real office training favourite – and recreates it in all manner of striking locations. Similarly a series of small plastic animal figurines shot in shadowy profile raises any number of questions, to which the project title – Plastcized – teasingly hints at some answers.
Elsewhere Things Are Not As They Were sees a nude female interacting with the strange shell of what may be have once been a grandiose building throwing up an inetresting juxtapositon between her youth and vitality and the decrepit, crumbling structure.
Lucia is one of the editors of the 10 × 5 fanzine and so clearly has a wider outlook on the creative world than is sometimes the case – once can only assume that his understanding of the milieu in which he operates helps him toy with the rules in such interesting ways.
For the next few weeks we’re showcasing some of the dazzling creatives which form part of the ABSOLUT Network, which brings together some of the finest cutting-edge creatives in Spain.
- “My personal work informs everything that comes after it" and other bits we learned at September's Nicer Tuesdays
- Xiang Guan’s Symbiotic Objects require a human component
- Alex Fergusson on the provocative and powerful nature of surface graphics
- Bendik Kaltenborn talks us through his retrospective book, collating ten years worth of work
- Meet music-obsessed graphic designer François Boulo
- César Pelizer’s 2D and 3D experiments are full of humour and imagination
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books