Gouache and pencil crayons have always seemed like pretty friendly creative materials to us, the kind of medium with which you’d render a picturesque landscape or the beaming face of an innocent child. But stuff that, sometimes it’s best to subvert your medium and slap your viewer square in the face with some unexpectedly biting satire.
Alex Gibbs is the man responsible for these compelling images, an Edinburgh College of Art graduate with a real flair for the macabre. His work focuses on the sinister side of the human condition – plane crashes, sexual exploitation and neurosis – but he somehow makes it palatable with his colourful draughtsmanship and squidgy, dough-faced characters. Yes, that’s a seedy bout of group sex going on in the woods, but don’t those trees look lovely!
- Enter your work for the chance to be an It’s Nice That Graduate of 2016!
- Kyle Weeks’ photos portray the traditional and contemporary identity of the Himba people
- Ace & Tate commissions Hanna Putz to launch its Creative Fund
- Smart geometry-led identity for east London venue Brilliant Corners by Studio Remote
- Superb designs by Bureau Mirko Borsche for Tush magazine
- Artist Mona Hatoum electrifies the senses in her first retrospective at the Tate Modern
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Yoshinori Mizutani captures the colourful, rain soaked commuters of Tokyo
- Poem Baker photographs the Jûngølā drag clowns of London’s Deptford
- Stack founder Steven Watson shares five of his top magazines
- Photography: New show at LCC shows young travelling communities of the 90s
- Hilarious and charming new Maynards Bassetts' Liquorice Allsorts ad by Jack Sachs