Let’s all hold hands and be thankful that there are still people in this world making cute-without-being-twee, hilarious illustrations reminiscent of the kind of retro glory seen in such wonderful, old-time opening credits such as the magnificently kitsch title sequence for 1976’s Freaky Friday.
It’s just such a pleasure to see bright, kitsch drawings of animals, food and children that have a certain edge allowing it to avoid the dreaded ravine of cutesiness into which some plunge headlong. Enviably, Amélie lives in Paris, and is happily making illustrations of dogs wearing backpacks for lots of very happy publishers who are snapping up her cheerful talent like there’s no tomorrow. Let’s hope this continues for a long time yet!
- Artful fashion reportage from New York photographer Landon Nordeman
- My Name is Wendy creates beautiful posters celebrating French poet Stéphane Mallarmé
- Experiments in geometric shapes, cut-out, collaged and drawn typography by artist Michael Morris
- Gwendal Le Bec’s new website is chock-full of wonderful new work
- Jonny Seymour’s cute and strange photo series of six-year-old Chinese kids’ “graduation”
- Ibán Ramón creates refreshingly simple identity for a Spanish food festival
- An insight into The Guardian’s newly released brand guidelines
- Surreal, disturbing, NSFW and utterly thrilling: the work of Jon Rafman
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Ustwo says RELAX! with new meditation app Pause
- Publishing platform Medium launches its new identity