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A close-up collage of a hand holding a cigarette. The image is composed of torn, textured paper in warm shades of orange and brown.

Look closer, these beautiful images by Anthony Gerace used to be Playboys...

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Date
3 October 2012

Anthony Gerace’s chromatic collages might appear on first glance to be fairly simple works, but there’s much more going on beneath the surface than appearances would have you believe. For starters, each of his chromatic compositions is constructed from a single page of vintage magazine – at some point or another all of Anthony’s pieces were a Life, Playboy or Popular Mechanics (we didn’t know that was a magazine until yesterday). By slicing and tearing up these antique volumes Anthony creates flat blocks of colour from matching tonal cuttings.

As a result each piece is entirely unique despite tonal similarities. “One of the things I wanted to do was show that each [piece] is unique not only in composition but also in tonality, and that to use the same source would still result in something different. I found two copies of the same magazine and made two collages, which manage to be quite different from one another while still being the same.” We’re pretty keen on Anthony’s textured creations – they demonstrate an obsessive love for printed media that we like to think we share completely.

A collage of torn red and orange paper layers. Bold black text reads “the and” and “59¢”, alongside the phrases “Text in English” and “Texte en français”.
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Anthony Gerace: Fig. 50a

A collage of torn orange and red paper scraps layered over one another. The words “and the” are printed in a bold black typeface, rotated 90 degrees.
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Anthony Gerace: Fig. 50b

A collage of torn pink paper in various shades, layered to create organic, overlapping shapes. The words “Only one” are printed in white serif type across the centre.
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Anthony Gerace: Fig. 20

A collage of torn paper in various shades of blue and cream. The words “FIFTY CENTS” are printed vertically in white along the right edge.
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Anthony Gerace: Fig. 44

A collage of torn green paper in various shades, layered to create an abstract composition. In the top left, white cursive text reads “Laugh” above the word “WITH” written vertically.
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Anthony Gerace: Fig. 89

A collage of torn, bright pink paper layered over a background. Fragments of dark blue text are visible, including the letters “W” and “HA”.
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Anthony Gerace: Fig. 80

A collage of torn paper in warm shades of orange, gold and brown. A hand is visible in the lower left, holding a thin white cigarette.
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Anthony Gerace: Fig. 2

A collage of torn, aged paper in shades of cream and beige. Fragments of text are visible, including “STILL CHEAP” and the date “20 July ’68”.
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Anthony Gerace: Fig. 26

An abstract collage in shades of deep red and burnt orange. Jagged, overlapping shapes create a textured composition with the word “PILAR” visible in yellow on the right.
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Anthony Gerace: Fig. 3

A collage of torn, overlapping pieces of deep blue and teal paper. A line of yellow text reads “llectors – The C”.
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Anthony Gerace: Fig. 33

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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