A year and a month ago almost to the day we featured the artist Morgan Blair whose paintings ran circles around us in the post-Olympic slump that was August 2012. Her work saw bold pastel shaded brickwork vibrate on the page followed by manic cascades of technicolour shapes tumbling over themselves. It was noisy, kaleidoscopic, trapping us in a background reminiscent of a 1990s, 16-bit era computer game.
But in the interstice Madison’s work has changed. Her style has sharpened; stripped back, she has mastered her own use of colour and narrative has slipped through to complement the delirious thrum from her earlier collection. Her poster commissioned by Double Punch Gallery for the Tough Love show is a personal favourite; at first a merge of colour but slowly it separates into a couple embracing, emotion strewn across their faces by shade. Just as bold, just as eye-catching, just as infectious – we are loving this subtle change.
- Iris Erlings’ delicate drawings are inspired by the works of modernist sculptors
- Node Berlin Oslo talks through its redesign of Haus der Kulturen der Welt
- A closer look at five creatives speaking at Design Indaba 2017
- Anxiety, speed and rave flyers: artist Mark Leckey on his iconic video "Fiorucci Made Me Hardcore"
- We speak to Lovetrue director Alma Har’el about her surrealist short film for The Fifth Sense
- Adventures in Typography: Spin’s new book about its creative process
- UN Women Egypt releases intricately illustrated print ads to highlight gender divide at work
- Chinese photographer Ren Hang has died aged 29
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Miffy creator, author and illustrator Dick Bruna dies aged 89
- Photographers Kelia Anne MacCluskey and Luca Venter explore the limits of reality