Artiva’s exhibition identity for Radical City is as inherently modernist as they come; the choice of type, the monochrome colour palette, the overbearing grid all firmly grounded in the Swiss tradition of graphic design. As the visual identity for a show that deals with Italian radical architecture (specifically between 1963 and 1973) it’s a perfect fit, deftly summarising the gridded urban landscapes of geometric concrete that were the hallmark of Italian radicalism.
What’s fascinating about the rest of Artiva’s portfolio is their singular design vision. Every one of their other projects utilises the same principles as Radical City. Whether it’s a brand identity or an experimental publication the calling cards are all there; Helvetica, black and white palette and that same rigid grid. Is this a simple case of design malaise or are these guys from the same mould as their Swiss predecessors, staunchly pursuing design perfection through simplicity and order? I’d argue the latter as the studio’s output shows a consistency of vision and understanding of design too refined to discount them as one trick ponies. And in this ever-fluctuating landscape of creative chameleons it’s incredibly refreshing to discover designers who still live and breathe Helvetica.
- Camelot’s typefaces bring both the contemporary and historical to the table
- Scott Newett’s eerily quiet, ethereal portraits of Chinese utopia
- Jade Schulz’s atmospheric and imaginative editorial illustrations
- Emiliano Granado’s new zine puts a fresh spin on Tour de France fandom
- The big cover up: Mathieu Tremblin's translations of graffiti
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale