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Five books stand side by side against a plain grey wall. From left to right, the titles include “Why Cats Paint”, “Peace at Last”, “The Wu-Tang Manual”, “Wonderland” and “Ritual”.

Bookshelf: Tim Noakes, Editor-in-Chief at Dazed & Confused shows us his Bookshelf

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Date
23 March 2013

What would you expect the editor-in-chief of Dazed and Confused, one of the world’s coolest magazines to have on his bookshelf? Some big, clunky fashion titles? Some sort of bicycle book? A map of Hackney? Well you’re wrong. The very lovely Tim Noakes has kindly shared with us his selection of seriously fascinating books, a photo of his very cute son in their very nice living room, and some stories about Wu-Tang that will blow your balls off. Take it away, Tim!

A blue hardcover book lies flat on a light wood plank surface. The cover features a central illustration of a figure on a swing and the word “Wonderland” in a stylised font.
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Wonderland: Curiosities of Nature and Art by Wood Smith

An open certificate folder rests on a rustic wooden surface. The left page features a decorative border and a certificate from the “Croydon School Board” with cursive handwriting.
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Wonderland: Curiosities of Nature and Art by Wood Smith

An attendance certificate from the “Croydon School Board” presented to “Thomas Paulley” in November 1901. The document is printed in red ink with ornate borders and handwritten names.
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Wonderland: Curiosities of Nature and Art by Wood Smith

An open book rests on a wooden surface. The right page reads “Wonderland or Curiosities of Nature and Art”, while the left page features an illustration of a person crossing a rope bridge.
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Wonderland: Curiosities of Nature and Art by Wood Smith

Wonderland: Curiosities of Nature and Art by Wood Smith

This gold-trimmed beauty belongs to my Grandfather, “Oupa” Thomas Paulley. As the certificate on the inside cover shows, it was presented to him “For Regularity and Punctuality of attendance at the Ecclesbourne Rd Boys’ School” in Croydon. Suffice to say, I would have never received an award for that. It says November 1901, but as Oupa just turned 96, I reckon the true date is around 1925.

He lent it to me a few years ago and I was instantly spellbound by its tales of travel and adventure from a bygone era. At the start you are presented with two illustrations; one of a boy high above a Japanese mountain range pulling himself and his possessions across the ravine via a rope slide; the other shows a family sitting on top of a huge Californian tree stump, having erected their own permanent staircase to climb up and down it. It sets a fantastical tone, with Smith going on to describe everything from how to cross a river in Turkestan and fish for sponges in the Mediterranean, to navigating a bazaar in Baghdad and weaving cashmere shawls in India. I can only imagine how exotic and exciting it must have felt to my Granddad when he read it as a boy in the window of peace between the two World Wars.

A book cover titled “Why Cats Paint: A theory of feline aesthetics” rests against a light wood panelled wall. It features a white cat leaping towards a swirl of colourful, abstract paint splashes.
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Why Cats Paint: The Theory of Feline Aesthetics by Heather Bosch and Burton Silver

An open book lies flat on a wooden surface. The spread features a profile of a cat named “Charlie”, including a biography and two photographs of the white cat.
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Why Cats Paint: The Theory of Feline Aesthetics by Heather Bosch and Burton Silver

A white cat sits on a floor covered in newspaper, looking up at a white fridge. Smears of red, yellow and blue paint mark the fridge door, with a paint palette resting on the floor in the foreground.
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Why Cats Paint: The Theory of Feline Aesthetics by Heather Bosch and Burton Silver

Why Cats Paint: The Theory of Feline Aesthetics by Heather Bosch and Burton Silver

The original LOL Cats. Our friend Katherine Rowlandson gave this formidable art theory book to my future wife in 2001, the year we all graduated from London Guildhall University. It’s made us laugh ever since. Having grown up around many cats – yet never once seeing any of them paint – I loved how Bosch and Silver had the wit and imagination to create an entire book that parodied the dryness of contemporary art criticism with photographs that made you doubt your sanity. The pioneering brushwork of Bootsie the Trans-Expressionist and Charlie the Peripheral Realest deserve your immediate attention.
 

A black book cover featuring the silver Wu-Tang Clan logo. Text across the logo reads “The Wu-Tang Manual”, with “The Rza” printed below.
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The Wu-Tang Manual by The RZA

An open book lies on a wooden surface. The left page features the heading “METHOD MAN” and a profile of the artist, while the right page shows a black and white photograph of Method Man, signed in black ink.
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The Wu-Tang Manual by The RZA

An open book showing pages of a dictionary or glossary. The text consists of lists of slang terms and their definitions, with the headwords printed in red.
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The Wu-Tang Manual by The RZA

The Wu-Tang Manual by The RZA

Can I get a suuuuu? Probably not, if you haven’t read this book. My wife, Caroline, bought me RZA’s guide to Shaolin for my birthday in 2005. Part of her message inside was “You just need to find a shelf to fit it on now…” which is quite fitting for this feature. But more than that, this rap nerd bible reminds me of going to Denver to interview the group in 2007. It was one of the most surreal experiences of my career and its breakdown of Wu Lexicon came in handy every step of the way. I ended up on stage at Red Rocks in front of 10,000 people, went clubbing at a skanky dive bar with the entire Clan for GZA’s 40th birthday and shared a cheese pizza with Ghostface and Raekwon on the tour bus while RZA and ODB’s son rapped along to Brooklyn Zoo in the background. After the interviews – which ranged in length from 30 seconds (Masta Killa) to 2 hours (GZA) – I asked each living member to sign their profile page in the manual. Everyone obliged apart from Masta Killa and Inspectah Deck. Ha. Maybe I should have given them some cheese pizza.

A book titled “Ritual” by David Pinner lies flat on a light wood plank surface. The cover features a purple and blue illustration of a stylised eye and a hand making a peace sign.
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Ritual by David Pinner

Ritual by David Pinner

I was going to choose J.G Ballard’s High Rise, one of my favourite novels ever (dystopian dog anyone?), but I plumped for David Pinner’s criminally overlooked debut instead. First published in 1967 and then in 2011 by Finders Keepers Records, Ritual is, as the cover handily informs potential readers, “The original seed from which grew the towering movie enigma The Wicker Man.” I’m not a big fan of that film, but this book is a beast. Set in Cornwall, it follows the downward spiral of police officer David Hanlin as he sets out to investigate the murder of a local child in a town driven mad by occult excess. Pinner’s demented characters are exquisitely realised, but it’s his hilarious phrasing – in particular Hanlin’s inner monologue as reason slips away and insanity takes root – that earned Ritual a permanent place on my shelf.

An open children's book showing a story about a bear family. The left page features a black and white illustration and text that reads “Mr Bear was tired, Mrs Bear was tired and Baby Bear was tired . . .”. The right page shows a colourful illustration of the three bears yawning and leaning against each other on a green sofa.
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Peace at Last by Jill Murphy

The cover of a children’s book titled “Peace at Last” by Jill Murphy. An illustration shows two bears sleeping soundly in a bed under a dark blanket.
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Peace at Last by Jill Murphy

Peace at Last by Jill Murphy

Our two-year-old son, Arthur, loves to be read Peace at Last every night, so by proxy I’ve probably read it more than any other book in my collection. Actually, it’s a toss up between this, Each Peach Pear Plum and Where the Wild Things Are, but I’ve chosen Jill Murphy’s classic because the story revolves around a family of three bears, and in particular a Dad who has a terrible night’s sleep. Like most parents I can definitely empathise with his red-eyed plight. Strangely, even after reading it hundreds of times, I still enjoy the rhythmic, hypnotic simplicity of its plot and the charming illustrations. Perhaps I just need some more sleep…

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About the Author

Liv Siddall

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Liv joined It’s Nice That as an intern in 2011 and worked across online, print and events, and was latterly Features Editor before leaving in May 2015.

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