Last week we gushed over the magical translucence of his extraordinary photographs – his canny ability to turn the most fleeting of mundane moments into perfect photographs – but this week we just want to chat about Benjamin Schmuck’s lovely stationery.
To complement his exquisite photographic portfolio Benjamin enlisted the talents of Bureau Kayser, a Parisian design studio, to design his personal printed identity. The results are simple and elegant, taking abstract elements of Benjamin’s photography and the hazy colours he’s renowned for and incorporating them into printed materials, all tied together with a neat logo mark. Tasty.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich