In sterile rooms spot-lit chairs take centre stage, ready to seat the next nip/tuck client. Against cold grey walls, liposuction machines on wheels stand with clean beakers and drooping tubes. In a corner, above a large pink chair, a gilt-framed mirror reflects a wet babe emerging from the ripples. Apart from the kidney dish splattered with blood, Cara Phillips’ photographs of plastic surgery clinics move by insinuation. Her photos are of empty rooms: the viewer is invited to imagine the procedure, the real life cutting and pasting, and all the insecurities that must accompany it.
Whether its a key ingredient of your dressing-table fantasies or fills you with sickening despair about humanity/commercialism/everything, there’s no denying plastic surgery is big business. Over the last couple of decades it’s gone from being a privileged fad to an unavoidable fact not only in fashion and celebrity but in many ordinary lives. Phillips’ monograph, Singular Beauty, is a chilling and occasionally grimly amusing insight into the rooms that house these transformations and the ominous instruments that make them happen.
- Back once again, it's Best of the Web!
- Photographers Kelia Anne MacCluskey and Luca Venter explore the limits of reality
- Gabriella Boyd’s paintings capture fleeting moments of intimacy
- Friday Mixtape: Because Music's Jane Third creates a lo-fi electronic mix
- Magic Party Place: CJ Clarke photographs Basildon, Essex over ten years
- Diane Fox distorts the “illusion of the diorama” with beguiling images of museum exhibits
- Photographer Trent Davis Bailey documents rural American community The North Fork
- Mr Bingo’s Valentine’s cards for single people
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Why creative education for advertising is stuck in the dark ages
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- Graphic artist Patrick Thomas’ found poster collages