In sterile rooms spot-lit chairs take centre stage, ready to seat the next nip/tuck client. Against cold grey walls, liposuction machines on wheels stand with clean beakers and drooping tubes. In a corner, above a large pink chair, a gilt-framed mirror reflects a wet babe emerging from the ripples. Apart from the kidney dish splattered with blood, Cara Phillips’ photographs of plastic surgery clinics move by insinuation. Her photos are of empty rooms: the viewer is invited to imagine the procedure, the real life cutting and pasting, and all the insecurities that must accompany it.
Whether its a key ingredient of your dressing-table fantasies or fills you with sickening despair about humanity/commercialism/everything, there’s no denying plastic surgery is big business. Over the last couple of decades it’s gone from being a privileged fad to an unavoidable fact not only in fashion and celebrity but in many ordinary lives. Phillips’ monograph, Singular Beauty, is a chilling and occasionally grimly amusing insight into the rooms that house these transformations and the ominous instruments that make them happen.
- Enter your work for the chance to be an It’s Nice That Graduate of 2016!
- Kyle Weeks’ photos portray the traditional and contemporary identity of the Himba people
- Ace & Tate commissions Hanna Putz to launch its Creative Fund
- Smart geometry-led identity for east London venue Brilliant Corners by Studio Remote
- Superb designs by Bureau Mirko Borsche for Tush magazine
- Artist Mona Hatoum electrifies the senses in her first retrospective at the Tate Modern
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Yoshinori Mizutani captures the colourful, rain soaked commuters of Tokyo
- Poem Baker photographs the Jûngølā drag clowns of London’s Deptford
- Stack founder Steven Watson shares five of his top magazines
- Photography: New show at LCC shows young travelling communities of the 90s
- Hilarious and charming new Maynards Bassetts' Liquorice Allsorts ad by Jack Sachs