Even if you live under bedrock, it’s very likely Carl Kleiner’s impossibly bright, sharply cast still-life’s have penetrated the darkness of your existence (and you are all the better for it). In the past few years, his eye for golden-ratio compositions that set inanimate objects in dramatic contrast to block colours, light and each other have elevated these random items to sculptural status.
He and a few other select photographers are responsible for really pushing the bar on this high-end, easily accessible imagery that can turn a staid fashion-spread product shoot into the absolute star of the show – as exemplified in this latest unashamedly gorgeous work for V Magazine which is a real lesson in style and precision geometry.
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- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label