Even if you live under bedrock, it’s very likely Carl Kleiner’s impossibly bright, sharply cast still-life’s have penetrated the darkness of your existence (and you are all the better for it). In the past few years, his eye for golden-ratio compositions that set inanimate objects in dramatic contrast to block colours, light and each other have elevated these random items to sculptural status.
He and a few other select photographers are responsible for really pushing the bar on this high-end, easily accessible imagery that can turn a staid fashion-spread product shoot into the absolute star of the show – as exemplified in this latest unashamedly gorgeous work for V Magazine which is a real lesson in style and precision geometry.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli