It’d take a serious perfectionist several hundred tubes of oil paint to achieve the seemingly impossible effect of making a painting look like a cross-stitch, and yet Canada-based artist Caroline Larsen somehow manages to do exactly that. Her project Burning Up is a series of paintings of cars on fire which are bizarrely realistic in spite of the larger-than-life vivid colours and thick daubs of paint.
Most incredibly, though, the lines and layers of paint seems to weave over one another in a richly textured web of two surfaces blending, recreating the same effect as waves of heat rising from a roasting surface. It’s only when you look up close at the surface of the canvas that you realise that the images aren’t composed of a selection of threads arduously woven through a strip of fabric, but rather oil paint spread on so thick it looks like it might have been applied with a piping bag usually used to ice cupcakes, rather than a paintbrush.
- Yayoi Kusama brings infinity and her iconic pumpkins to two stunning new London shows
- How I Got Here: Kim Gehrig, director
- Founder and creative director of ManvsMachine, Mike Alderson on his most-loved books
- From big cats to commuters, Reece Wykes creates characters using the subtlest of details
- Back to the Future: what today's creatives can learn from yesterday's design principles
- Moniker’s crisp and colourful laser cut posters for Designer Fund
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"
- Strange posters and superb typography from Venetian studio Tankboys