It’d take a serious perfectionist several hundred tubes of oil paint to achieve the seemingly impossible effect of making a painting look like a cross-stitch, and yet Canada-based artist Caroline Larsen somehow manages to do exactly that. Her project Burning Up is a series of paintings of cars on fire which are bizarrely realistic in spite of the larger-than-life vivid colours and thick daubs of paint.
Most incredibly, though, the lines and layers of paint seems to weave over one another in a richly textured web of two surfaces blending, recreating the same effect as waves of heat rising from a roasting surface. It’s only when you look up close at the surface of the canvas that you realise that the images aren’t composed of a selection of threads arduously woven through a strip of fabric, but rather oil paint spread on so thick it looks like it might have been applied with a piping bag usually used to ice cupcakes, rather than a paintbrush.
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll's bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson's Morris dancing-heavy first music video in six years
- A lifestyle magazine for realists, Oikos breaks the mould
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations