Carson Ellis has a compelling story to tell in more ways than one. She’s been a “hot dog vendor in California, a chairlift operator in Vermont, and an artist’s model in Montana.” Nowadays she’s happy to be an illustrator based in Oregon, and what an illustrator she is! Carson received the Silver Medal from the Society of Illustrators in 2010, and has also provided artworks for not just two, or three, but FOUR New York Times bestsellers. So, it seems we have quite some talent here and this Saturday sees Carson Ellis’ return to Nationale with Mush, Mush, The Sloping Midnight Line and it’s all too enchanting not to have a good gander at.
Her latest work is influenced in part by medieval fiction, where the narratives of desire, fear and atonement are represented through scenes in which characters navigate their destinies with “inspiring, yet clearly fated, qualities of romantic stoicism and self-determination.” Collectively, the works within Mush, Mush, The Sloping Midnight Line act to pave a journey of the self; a voyage that will always begin with a first step into a new present. Carson Ellis has presented us with a gorgeous folklore here, and is set to continue providing us all with beautiful art and amazing illustration.
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label