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A stack of three manga volumes lies horizontally, topped by a small ceramic figure. To the right, a row of books stands vertically, including a red volume titled “Akira 1”.

Ceramicist and illustrator Charlotte Mei's Bookshelf unites Picasso and Akira

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Date
2 June 2015

Now I’m not saying that the Bookshelf feature should act as a barometer of how much we want to be friends with the people we feature, but if you can’t identify niche interests in a kindred spirit by way of their favourite publications, when the bloody hell can you?

London-based ceramicist Charlotte Mei’s work is a perfectly chaotic collision of illustration and clay – all ceramic selfies, illustrated plates and smiling toast tiles – and her Bookshelf is an extension of this refined eclecticism. Her top five includes Jesse Moynihan’s Forming, Lord of the Rings, Akira and a healthy dose of Manga, making her the coolest, nerdiest potter we know. Here she is!

A stack of three Japanese manga volumes rests on a paint-splattered surface. The top book features a close-up illustration of a person’s face and the word “Free” in red Japanese characters.
Above

Ikegami Ryoichi and Koike Kazuo: Crying Freeman

An illustration of a person with long dark hair and glasses holding a large ceramic vase. A detailed image of a snarling tiger is painted across the front of the vessel.
Above

Ikegami Ryoichi and Koike Kazuo: Crying Freeman

An open manga book showing two black and white illustrations. On the left, a person with glasses and tattoos on their chest and arm holds a sword. On the right, a larger figure looms over another person in a dynamic, high-contrast scene.
Above

Ikegami Ryoichi and Koike Kazuo: Crying Freeman

Ikegami Ryoichi and Koike Kazuo: Crying Freeman

This comic is about a Japanese potter who has a run-in with a Chinese mafia and becomes an assassin. Perfect for me, as it combines my interests in pottery and crime. I picked up these comics in Book Off, a giant Manga store in Kyoto. I spent some time with the Manga course at Kyoto Seika University while I was studying illustration at Camberwell, and in the evenings we would go and raid Book Off for bargain Manga.

The cover of the manga Akira, volume 1, by Katsuhiro Otomo. The illustration shows figures in a chaotic red scene with a crashed motorbike.
Above

Katsuhiro Otomo: Akira

An open book shows a double-page spread from the manga Akira. A massive black sphere looms over a ruined city skyline under a blue and white sky. Red text in the top left reads “AKIRA”, with “BY KATSUHIRO OTOMO” written below.
Above

Katsuhiro Otomo: Akira

An open book shows a black and white manga illustration of two futuristic, bulky aircraft on a landing pad. Small figures of people stand around the vehicles in a high-angle perspective.
Above

Katsuhiro Otomo: Akira

Katsuhiro Otomo: Akira

Akira is a sci-fi graphic novel about biker gangs in Neo-Tokyo. I first saw the animated adaptation when I was about 12, along with other classics like Appleseed and Ghost in the Shell. They really got me into Anime and Manga, and have remained a really big influence. For me they represent a hey-day in Japanese animation and films like The Matrix, Inception and lots of modern sci-fi have been heavily inspired by Japanese Anime and Manga.

An open art book lies on a paint-splattered table. The left page shows a black and white sketch of two figures, while the right page features a colourful, stylised face with a wide smile.
Above

Georges Ramié: Picasso’s Ceramics

An open book displays a collection of black and white artworks. The left page shows several circular and rectangular prints, while the right page features a large, gestural drawing of three abstract figures.
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Georges Ramié: Picasso’s Ceramics

Georges Ramié: Picasso’s Ceramics

Seeing Picasso’s ceramics for the first time comforted me and made me feel really happy. I was studying illustration at the time and had a lot of doubts about what I could bring to the medium – I’m not a very technical ceramicist, but I loved using clay, and really wanted to use it to tell stories and evoke feelings. My friend Lewis bought me this book, and it is such a celebration of clay, the easiness of his brushstrokes and unconstrained content.

An illustration on a book cover shows a figure with long blue hair wearing a wide-brimmed hat. They hold a glass of champagne and make a peace sign against a backdrop of tropical leaves.
Above

Mould Map 3

An open book shows a bright orange and pink page opposite a photograph of a rocky island in a pale purple sea. The left page features bold text that reads “ARTISAN BOUTIQUE PARADISE” above “ENDLESS FUTURE HORROR”.
Above

Mould Map 3

An open book showing a series of colourful illustrations. On the left, a figure in a hat looks out over a futuristic city under a red sky. The right page features a collage of scenes, including a person in a pink car and two figures in a bedroom.
Above

Mould Map 3

Mould Map 3

This book, published by Landfill, both celebrates and pushes the boundaries of the comic book tradition. It features lots of artists, each of whose contributions have their own voice, but feel connected in their approach to modern disillusionment and connection/disconnection. It is beautifully printed and finished and offers a really refreshing approach to narrative art. 

The cover of a yellow book titled “Forming” by Jesse Mounikakis. An illustration shows a small figure walking between two towering, abstract creatures towards a distant pyramid.
Above

Jesse Moynihan: Forming

An open comic book showing two colourful pages of an illustrated story. The left page features a large, pink creature beneath a sign that reads “POWERUP”, while the right page contains several panels with characters and speech bubbles.
Above

Jesse Moynihan: Forming

Jesse Moynihan: Forming

This is the second of Jesse’s Forming books. I first saw his work in his capacity as a storyboard artist for Adventure Time. There are moments in the series which make your mind bend and send you through the looking glass a bit, one of the things that makes AT so much more than a cartoon for kids. Reading Jesse’s comic it seems probable that many of these ideas come from him. His stories, which deal with reality, relationships and metaphysics, are simultaneously supernatural and very human.

A black book cover for “The Fellowship of the Ring” by J.R.R. Tolkien. A yellow circle containing a stylized eye sits in the centre, surrounded by smaller rings and runes.
Above

Jesse Moynihan: Forming

J.R. Tolkien: Lord of The Rings

I wrote a book report on Lord of The Rings when I was 12 which got displayed in the library, so I am still a bit smug about that. The way Tolkien presents mythology, obsessively detailed histories and maps, lineages and species really turned me on to sci-fi and fantasy as a kid. I feel like reading this shaped my taste more than any other book and made me into a massive nerd.

An artist's studio wall covered in colourful drawings, paintings and a comic titled “Teagle Comics #1”. A wooden shelf holds art supplies, small sculptures and a variety of books.
Above

Charlotte Mei’s Bookshelf

A collection of manga and books stand on a wooden shelf alongside small ceramic figures. Three volumes of Frieren: Beyond Journey's End are stacked horizontally in the foreground.
Above

Charlotte Mei’s Bookshelf

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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