If there’s one thing we love more than really beautiful poster design, it’s really beautiful retro poster design. And we are able to feed our insatiable appetite for this kind of graphic design thanks to a fascinating project celebrating an east London legend. Chats Palace in Homerton, Hackney, was originally a library but after that closed it was claimed by the local community as a social and cultural hub that supported music, comedy, theatre, dance, carnival, disability arts, photography and other programmes.
Now Asya Gefter and Peter Young have launched a project aiming to document its history and celebrate its contribution to the area’s past. They’ve got an excellent blog and we were bowled over by these posters from the Chats Palace Printshop which was opened by Rene Rice in 1977. Over 21 years this silkscreen and offset lithographic printing workshop produced not only the Palace’s in-house printed matter but also the posters for a host of local organisations as eclectic as the community itself.
This is the sharp end of graphic design – low-budget posters aimed at a very localised audience and yet the composition, use of colour and type is uniformly wonderful. This archive is a real treat and a true part of east London’s design heritage.
- “Noise, exertion and rebellion”: Ari Marcopoulos’ latest exhibition, Machine
- Amsterdam-based photographer Lois Cohen’s "absurd" portraits
- Greg Barth puts world peace to a public vote in satirical film, Epic Fail
- Julia Petrova conveys mystery and darkness in her landscape illustrations
- Deividas Buivydas documents Boston, Lincolnshire, a town known as “the face of Brexit"
- Justin Sloane applies his blunt and nuanced ethos to multidisciplinary design
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s