A few weeks ago I went to see Gareth Evans’ The Raid which was, potentially, one of the most violent couple of hours I have ever experienced –my ears rang with gunshot until the next day, and I couldn’t get a certain image of an exploding fridge out of my head. Nevertheless, Gareth’s film is a gorey masterpiece, thus making it prime re-make material for a certain Lee Hardcastle, the man who, earlier this year, turned Pingu into something not unlike the first battle scene in Saving Private Ryan.
The concept for The Raid is simple, a team of SWAT police must get to the top of a 30 storey building to defeat a drug lord, making their way past furious protection on every floor. Lee Hardcastle, inspired by the sheer brutality and simplicity of the film, swaps the bloodthirsty Vietnamese soldiers with cats, and exchanges all the weed with catnip making one of the best claymation pastiches I’ve seen in a long time.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich