It’s no secret that in spite of the increasing digitisation of contemporary culture, we still dearly love to hold actual objects in our hands – and the more elaborate the better. It’s a fact that record labels, magazines, publishers and most other spheres of the packaging industries have been exploiting for some time, fashioning beautifully ornate objects for which fans are only too happy to part with vast sums; whether it’s a die-cut, debossed, double gatefold or otherwise.
In honour of this increasingly craft-based approach to musical and literary objects Stuart Tolley has put together a book that details some of the finest examples of the genre in extraordinary detail, bringing together over 170 examples of the biggest and best uses of limited edition packaging the industry has seen. There’s also interviews with some of the artists, musicians and designers responsible for making these projects a reality – like Wayne Coyne, Stanley Donwood, Irma Boom and Alec Soth.
The only gripe we have with Collector’s Edition is that it doesn’t come out until August. But we’ve got our pre-orders in already.
- Parterre de Rois: the Black issue features Anish Kapoor and Nina Chanel Abney
- Noah Beckwith’s experimental approach to his “stream-of-consciousness” posters
- Talya Modlin shares illustrated gems from her sketchbook
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors
- The exploratory and exciting typefaces of Out of the Dark
- MullenLowe Group’s Global Creative Officer José Miguel Sokoloff on judging CSM's degree shows
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris