We love a pleasant artistic bamboozle and Portland-based Damien Gilley is our new favourite head spinner. The Oregonian (is that even a word?) is a master of the trompe l’œil using vinyl and latex to crate mind-meltingly fascinating works which leap off the wall and immerse you in what feel like architect’s blueprints or some kind of Matrix-style code.
Just to keep us on our toes he does work with 3D materials occasionally, but it’s these extraordinary flat pieces which really dropped our jaws.
- Making branding with a purpose: what can we learn from the Bauhaus?
- Jeremy Jansen’s graphic design work bridges concept and coherency
- Michael Craig-Martin: a cool, clean and colourful riot of everyday objects
- Anatoly Grashchenko's randomly generated posters for a Moscow theatre
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Bobby Doherty’s vivid and humorous still-life photography
- Should illustrators be treated like designers?
- Why “cool” stunts creativity: one agency offers its opinion
- Fresh, vibrant poster work from South Korean designer Soojin Lee
- Grey London's thoughtful, powerful and innovative new campaign for Tate Britain
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Introducing French design studio plus mûrs and its beautiful poster designs