We love a pleasant artistic bamboozle and Portland-based Damien Gilley is our new favourite head spinner. The Oregonian (is that even a word?) is a master of the trompe l’œil using vinyl and latex to crate mind-meltingly fascinating works which leap off the wall and immerse you in what feel like architect’s blueprints or some kind of Matrix-style code.
Just to keep us on our toes he does work with 3D materials occasionally, but it’s these extraordinary flat pieces which really dropped our jaws.
- Xiang Guan’s Symbiotic Objects require a human component
- Alex Fergusson on the provocative and powerful nature of surface graphics
- Bendik Kaltenborn talks us through his retrospective book, collating ten years worth of work
- Meet music-obsessed graphic designer François Boulo
- César Pelizer’s 2D and 3D experiments are full of humour and imagination
- The irreverent spontaneity of Stefan Marx’s markmaking
- Vicky Grout takes us on a photographic trip through east London using Kodak's Ektra smartphone
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Timo Kuilder combines clean-cut linework with limited colours in his editorial work
- David Luraschi’s strikingly simple new campaign for fashion brand Jacquemus
- How 13 designers responded to a one-word brief: water
- Nicolas Ménard creates short animation for online mortgage broker Habito