We love a pleasant artistic bamboozle and Portland-based Damien Gilley is our new favourite head spinner. The Oregonian (is that even a word?) is a master of the trompe l’œil using vinyl and latex to crate mind-meltingly fascinating works which leap off the wall and immerse you in what feel like architect’s blueprints or some kind of Matrix-style code.
Just to keep us on our toes he does work with 3D materials occasionally, but it’s these extraordinary flat pieces which really dropped our jaws.
- Photographer Maxwell Conrad Granger shows the goofy beauty of youth
- Serpentine appoints Francis Kéré to build "tree-inspired" 2017 pavilion
- Director Nick Roney on taking The Lemon Twigs to his grandparents’ house
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Meet the speakers: Carl Burgess, Oscar Hudson, Mirka Laura Severa and Olivia Ahmad
- Varied, playful and slightly odd drawings from Japanese illustrator Summer House
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio