Creating models so that we might see something invisible (like sound) is a fascinating and perpetuating phenomena between artists and scientists – both striving for physical representations so that we might better understand the thing beyond its theory. What Daniel Palacios’s Waves installation has done is create a beautiful explanation of how sound inhabits space, how the “chaos of infinite variables” that create noise might influence the sinusoidal waves conducted between two turbines connected by a length of rope.
Furthermore, the installation is affected by those who watch it; when the audience moves it influences the compressions and decompressions of the rope’s line. This return channel from a physical act into a graphic representation cuts through space with its own swooshing sound, further examining how we interpret our own position in a sonic landscape.
Visualizing Sound is a group show now on in Spain’s LABoral Centro de Arte y Creación Industrial until June 25.
- Artist Matthew F Fisher paints seascapes and wildlife with vivid precision
- Hayley Louisa Brown on travelling to Memphis as part of Ace & Tate's Creative Fund
- Photographer Roe Ethridge’s images blur the lines between commercial and sentimental
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich