We use a series of categories to best compartmentalise the work we showcase. You may have noticed – art, design and writing, for example, are tagged with the words ‘Art’, ‘Design’ and ‘Writing’ respectively, and so on. Although sometimes it doesn’t work. David Ryle’s work slips easily into the category of ‘Photography’, but here we realise the importance of creating appropriate alternatives – tags like ‘Oh_my_god_like_seriously_wow_oh_my_god’, ‘These_are_unbelievable_are_they_really_for_real’, and ‘Weve_never_seen_beauty_quite_like_this_before’ are both applicable and necessary in David’s special, special case.
Just so you know, these images are the result of time David recently spent in the Mojave Desert, where he conducted an ‘Oh_my_god_that_is_seriously_good’ topographical study of the mountains and desert roads.
- The creative team behind John Grant’s post-apocalyptic world
- They have beauty, they have grace, they are Jack Mears’ ceramic dogs
- Caroline Tompkins deftly captures goggle marks, swim caps and foam floats
- Illustrator Jan Robert Duennweller's erratic style creates "visual headlines"
- Réka Neszmélyi's boundary breaking identity for Hungarian Bánkitó Cultural & Music Festival 2016
- Five things to remember as a young creative
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale