Edward Lear is best known for his nonsense verse, the first poetry I came across as a youngster and so the standard by which I still judge everyone else (note to all other poets, you’re very serious). But the man who made silliness an artform began his career at the other end of the stupidity-serious spectrum working as a zoological illustrator.
The Royal Society in London is currently showing a comprehensive collection of his scientific work, from toucans and turtles to hedgehogs and herons. The illustrations themselves are really beautiful, combining the accuracy needed with a definite way of capturing the personalities of his subjects and of course anyone familiar with Lear’s work will be fascinated to see the other string to the prodigious talent’s bow and think about how this work informed his other.
The show runs until October 26.
- Four illustrators have their works drawn by Joto at Here 2017
- David Lewandowski’s floppy rubber bodies take over the streets of Japan
- Ella Bucknall tackles the “boy’s club” of political cartooning in her new zine, Whip
- Anna Haifisch bends the rules of comics in new floppy and oversized book, Drifter
- Illustrator Jill Senft creates fun and whimsy with her cavalcade of pink characters
- White Flag project that is tackling global division and the “growing fear of the stranger”
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos