At times we are all guilty of being in thrall to bright colours. That’s no criticism; our brains seem to be hardwired to find them uplifting, and on first glance it was precisely this that drew me to Erin O’Keefe’s latest work. But I was excited to discover the heavyweight conceptual ideas that underpin these gorgeous visuals; eye-candy schm-eye candy!
As Erin explains this series “explores the tendency of the camera to flatten pictorial space, and as a result, foster ambiguous spatial readings…There is a fertile tension between the compressed space of the image and the visual clues that allude to the dimensionality of the still-life. The camera is the agent of uncertainty that invites seeing as both an intimate and critical exercise.”
The pictures are comprised of painted plywood, printed Photoshop gradients and photographs to produce results as beautiful as they are bamboozling.
- Sean and Seng travelled to Mongolia to shoot for Arena Homme+
- Joshua T Gibbons provides an insight into the relaxed bachelor lifestyle of Cockney Stan
- New York-based Blake Lewis’ neat and considered portfolio exudes simplicity
- Latvian illustrator Zane Zlemeša's delicately painted drawings
- Photographer Carlota Guerrero on collaborating with Solange and getting signed to WeFolk (some NSFW)
- Linda Brownlee’s beautiful photography book captures family life in a Sicilian village
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich