At times we are all guilty of being in thrall to bright colours. That’s no criticism; our brains seem to be hardwired to find them uplifting, and on first glance it was precisely this that drew me to Erin O’Keefe’s latest work. But I was excited to discover the heavyweight conceptual ideas that underpin these gorgeous visuals; eye-candy schm-eye candy!
As Erin explains this series “explores the tendency of the camera to flatten pictorial space, and as a result, foster ambiguous spatial readings…There is a fertile tension between the compressed space of the image and the visual clues that allude to the dimensionality of the still-life. The camera is the agent of uncertainty that invites seeing as both an intimate and critical exercise.”
The pictures are comprised of painted plywood, printed Photoshop gradients and photographs to produce results as beautiful as they are bamboozling.
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- Mrzyk & Moriceau's hilariously psychedelic music video for The Avalanches
- Nick Waplington's artwork for Yak, a striking representation of their sound
- Ondrej Bachor and Jan Horcik create ever-evolving identity for fashion designer Karolina Jurikova
- Bodil Jane's illustrations: ornate, exotic and really very lovely
- Drifting SUVs in the Arabian desert: Peter Garritano explores the world of hajwalah
- Sagmeister & Walsh rebrands fashion label Milly to reflect its "edgy" new personality
- Dominic Wilcox designs art exhibition for dogs (plus exclusive artist sketches)
- Jaemin Lee’s gloriously retro exhibition identities and poster designs
- James Jean’s phantasmagorical world of technicolour fever dreams
- The Refugee Nation Olympic flag was inspired by a lifejacket
- Things: the inspiring post that got us through the long hot summer nights of August