I owe a debt to The Guardian for showing me these beautiful images at the weekend. Sat eating some porridge on Saturday morning I turned to a double-page spread of ghoulish faces and scrawled, bloody text and was so excited I spat oats. Ever since Cronos gave me nightmares as a nine-year-old I’ve been a tentative and latterly whole-hearted fan of Guillermo del Toro’s films, so to have the opportunity to sneak a peek into his haunted mind via the busy pages of his sketchbooks is an absolute treat.
Weirdly his drawing style has a roundness to it that makes his sketches of sets and mocked-up characters seem that much more friendly than in their final, terrifying iterations, but the book still gives the overwhelming impression of leafing through a satanic bible written in blood on the skin of a sacrificed victim. Which, in the end, is probably the look Guillermo was going for.
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- Mattis Dovier tracks the painful metamorphosis of man into machine in his new short
- Class A Marketing analyses the advertising techniques of drug dealers
- Yuri Suzuki's new invention lets users turn any object into a functioning musical instrument
- Snøhetta develops a “tribal language” for Høyskolen Kristiania School
- Work, build and don’t whine: historic portrayals of women in art and design
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)