I owe a debt to The Guardian for showing me these beautiful images at the weekend. Sat eating some porridge on Saturday morning I turned to a double-page spread of ghoulish faces and scrawled, bloody text and was so excited I spat oats. Ever since Cronos gave me nightmares as a nine-year-old I’ve been a tentative and latterly whole-hearted fan of Guillermo del Toro’s films, so to have the opportunity to sneak a peek into his haunted mind via the busy pages of his sketchbooks is an absolute treat.
Weirdly his drawing style has a roundness to it that makes his sketches of sets and mocked-up characters seem that much more friendly than in their final, terrifying iterations, but the book still gives the overwhelming impression of leafing through a satanic bible written in blood on the skin of a sacrificed victim. Which, in the end, is probably the look Guillermo was going for.
- Submit Saturdays: Take advantage of your website to show varied work as a creative collective
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity