I owe a debt to The Guardian for showing me these beautiful images at the weekend. Sat eating some porridge on Saturday morning I turned to a double-page spread of ghoulish faces and scrawled, bloody text and was so excited I spat oats. Ever since Cronos gave me nightmares as a nine-year-old I’ve been a tentative and latterly whole-hearted fan of Guillermo del Toro’s films, so to have the opportunity to sneak a peek into his haunted mind via the busy pages of his sketchbooks is an absolute treat.
Weirdly his drawing style has a roundness to it that makes his sketches of sets and mocked-up characters seem that much more friendly than in their final, terrifying iterations, but the book still gives the overwhelming impression of leafing through a satanic bible written in blood on the skin of a sacrificed victim. Which, in the end, is probably the look Guillermo was going for.
- Artist Henry Taylor takes over LA gallery Blum & Poe
- Accent magazine takes us behind the scenes of issue two
- Shannon Jager, a graphic designer combining the technical and the thoughtful
- The Gourmand visualises the intricate flavours of Glenmorangie whisky
- Victoria Vincent’s animation captures the tragic pitfalls of online dating
- Adam Birkan captures the diverse and juxtaposing landscape of Hanoi
- “Nymphomaniac” photographer Casper Sejersen's explosive images
- Anja Wicki's sarcastically sweet comic illustrations
- Logo Pizza is selling 50 ready-made logos that increase in price with each one sold
- Google and INT Works commission 19 illustrators to create over 500 works for Allo app launch
- The Gentlewoman’s art director, Veronica Ditting gives us a peek at her bookshelf