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An open book with white pages features 3D typography cut from the paper. The left page shows the number “15” and the right page reads “GRAVITY”.

Our Here profiles continue with frieze art director Sonya Dyakova

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Date
24 August 2012

We’re obviously not saying that frieze magazine was poorly designed before, but have you seen it since Sonya got her clever hands and eyes on it? That ever-anticipated publication is like the Dyson Airblade of magazines – practical, timely and an absolute inspiration to all other designers. We actually interviewed Russian-born Sonya back in April about the complete re-design she did for Frieze magazine (“To put it crudely, I wanted for the magazine to be ‘hot’ in the grown-up way”) and her tactile attitudes to design and print. What we got from speaking to her was a feeling of absolute dedication and tradition to her work process.

When asked about her feelings towards the decline of printed publications and the transference of design from print to screen she simply replied: “Great design is important regardless of the times. Does this sound naive? I really mean it.”

Upon hearing this firm statement from such a quietly influential woman, we knew she would be perfect to speak at Here 2012. Sonya is a perfect blend of traditional graphic design knowledge with an entirely contemporary attitude to her practice, perhaps the reason why she has worked for Phaidon Press on a number of publications, each stamped with her tactile and, at times, conceptual trademark.

We are incredibly excited to and honoured to have Sonya Dyakova speaking at Here 2012, and we can’t wait to hear her share with us some of the invaluable tricks of her trade and some of the highlights of her thus-far incredibly fruitful and fascinating career, including how she found out rejection can be a blessing in disguise.

Here takes place on Friday September 21 at London’s Royal Geographical Society. For more information and tickets click here

An open book with white pages. The number “11” and the word “Memory” are cut into the paper, with the pieces folded to create 3D letters.
Above

Sonya Dyakova: Paper Alphabet

A series of letters from A to L, crafted from folded white paper. The letters are arranged in a grid, each created through precise cuts and creases to form 3D shapes.
Above

Sonya Dyakova: Paper Alphabet

Numbers from one to 10 are created from folded white paper against a plain white background. Each digit is formed by precise creases and cuts, casting soft shadows.
Above

Sonya Dyakova: Paper Alphabet

Two pages from a magazine layout showing a table of contents. The left page is titled “1 FRONT” and the right page is titled “2 MIDDLE” and “3 BACK”, featuring a mix of typography and small photographs.
Above

Sonya Dyakova: Frieze magazine

A double-page magazine spread featuring an article titled “The Middle of the Day”. On the right, a person wearing a wide-brimmed hat and a brown jacket sits in an art studio surrounded by framed canvases.
Above

Sonya Dyakova: Frieze magazine

A two-page magazine spread featuring an article titled “Open Eyes”. The left page contains a column of text and a large headline, while the right page shows a person lying on a white surface next to the title “There, Not There”.
Above

Sonya Dyakova: Frieze magazine

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About the Author

Liv Siddall

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Liv joined It’s Nice That as an intern in 2011 and worked across online, print and events, and was latterly Features Editor before leaving in May 2015.

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