• Top

    HTML Flowers: WE TAKE OF OUR HANDS TO FEEL

Art

Illustration: The beautiful, honest world of Grant Gronewold aka HTML Flowers

Posted by Liv Siddall,

You really don’t get many corners of the internet more candid and pure than that occupied by HTML Flowers. On his 56-page Tumblr he allows you deep, deep into his world through meticulous and unique drawings, photographs of his daily life and his outpourings of no-holds-barred writing.

Grant Gronewold suffers from Cystic Fibrosis, and his articulate ability to describe his condition with the utmost truth gives him equal vulnerability and power, making you instantly feel a rare kind of warmth towards him. His Tumblr is almost like a secret fan club in that Grant publicly responds to any questions sent his way via email and reveals almost every aspect of his day-to-day life in some shape or form for his very tight group of fans to enjoy.

His drawings? His drawings are some of the most magical, truthful, well-crafted pieces of work I have ever seen. It’s like he’s been practising since he was born to reach a stage of creative output that completely and utterly reflects his entire personality and outlook on life. Some are gifts and collaborations, some are etched onto the skin of people who love him like we do.

Grant is also close pals with Simon Hanselmann who we regard with similar kind of love and affection. Read a great interview with him about his work over on The Meander Journal.

  • 1

    HTML Flowers: I Hate U

  • 3

    HTML Flowers: Touchingly Touching Things

  • 4

    HTML Flowers: FLESHTONEZ

  • 5

    HTML Flowers: ENDLESS MANSION by Simon Hanselmann & HTML flowers

  • Bright-threadz-issue-4-%e2%80%9clost-babes'

    HTML Flowers: BRIGHT THREADZ Issue 4 “Lost Babes"

  • 2

    HTML Flowers: WE TAKE OF OUR HANDS TO FEEL

  • Drawinthethegreenhouse

    HTML Flowers: Draw in the Greenhouse

  • Arguingwithimaginaryfriends

    HTML Flowers: Arguing with Imaginary Friends

  • Brothers-hand-mirror

    HTML Flowers: Brothers Hand Mirror poster

Ls-300

Posted by Liv Siddall

Liv joined It’s Nice That as an intern in 2011 and is now one of our editors. She oversees itsnicethat.com and has a particular interest in illustration, photography and music videos. She is also a regular guest and sometime host on our Studio Audience podcast.

Most Recent: Art View Archive

  1. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  2. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.

  3. Atelierbingo-list-int

    Up to the point when I opened Atelier Bingo’s new zine Wogoo Zoogi I’d never wondered what two aliens in heated conversation might look like. Having had a read I can now confirm that the answer is “they are speaking, singing very strangely, and they have a hair on their tongues." The newest bout of work from French illustration and surface design duo Adèle Favreau and Maxime Prou is a wonderful celebration of playful, dynamic, abstract art; blending shapes, colours and patterns in a glorious puddle of chaos thinly disguised as alien chat. In fact, it’s everything we’ve been led to expect from the pair, who we’ve dolloped praise on in the past.

  4. Faigahmed-carpets-list-2-int

    Faig Ahmed is an Azerbaijani artist doing remarkable things with carpets. He takes traditional Azerbaijani rugs – enormous, beautiful intricate creations – un-weaves them, and reconstructs them to create new patterns and shapes, subverting traditional usage of rugs as domestic objects to be walked all over, and rejuvenating them with optical illusions and techniques reminiscent of contemporary internet art. 

  5. Slavs_tatars-loveletters-home-int

    The work of Slavs & Tatars is awash with unlikely cultural references, balloons, archives and carpets. Identifying “the area east of the former Berlin Wall and west of the Great Wall of China” as the focus of their work, their projects are generous, engaging and genre-crossing. Starting as a reading group before shifting into making their own work, Slavs & Tatars have recently been working on a continuation of their Long Legged Linguistics project, a multi-faceted study of language as a source of emancipation. The somewhat secretive collective were kind enough to tell us more about this and their “bazaar” approach to making work.

  6. Davidbatchelor-october-13-int

    If you go down to the Whitechapel Gallery anytime between now and early April you’ll be sure to come across a huge breadth of work chronicling the adventures of the black square, from 1915 all the way up to the present day. It’s fairly monochromatic, as you might expect. Upstairs, however, things get drastically more colourful – especially once you come to David Batchelor’s specially “disrupted” issue of October, one of the most respected art journals out there, first published in 1976 and edited by esteemed writers Michel Foucault, Richard Foreman and Noël Burch.

  7. Alexdacorte-easternsport-1-int

    Perennial student artist Alex Da Corte has qualifications, residencies and awards coming up to his eyeballs having studied Film, Animation and Fine Arts at New York’s School of Visual Arts, Printmaking and Fine Arts at The University of the Arts, Philadelphia and then a cheeky MFA in Sculpture at Yale. Busy guy!

  8. Duane_hanson_-_karma3

    Karma Books have just published a catalogue of Duane Hanson’s post-humous exhibition Flea Market Lady. Shown at New York’s Gagosian Gallery, Duane’s flea market ladies are taken from real-life characters and cast in bronze. An incredible feat of observation and skill, his work captures the character of his models and creates a very real atmosphere of flea-ing. Karma have kindly let us publish an extract from the imaginary conversation Maurizio Cattelan has with the artist in the foreword to the book:

  9. Hdl5_copy

    Hubert de Lartigue paints photo-realistic portraits that “serve the beauty” of his models, and his muse. He considers “emotion and soul” the most important part of a painting and spoke to us about his working process, inspiration and the impact of his muse, Octavie.

  10. Main_10.00.34

    If I won the lottery I’d open a gallery, and when I opened my gallery I’d totally rip off everything that David Kordansky Gallery does. From the big stuff like the very well-curated, cool list of artists they represent, to the impeccable printed matter they produce, to the matter of their easily navigable and well designed website – these guys are celebrating people’s work in the best way possible.

  11. List

    For all its simplicity – the limited use of colour, the seemingly straightforward shapes – there’s something about the work of Jens Wolf that’s undeniably intriguing and complex. Bringing to mind the likes of Josef Albers and Frank Stella, his abstract pieces set off their precise geometry with deliberate imperfections that add a human element to its formality. With his first London show opening in March, we had a chat with him about the creative process, the evolution of his work and why his London is forever foggy.

  12. Mp_home1

    We interviewed Mathis Pfäffli back in 2012 about his design practice and working day. The Swiss-born graphic designer has segued from the playful and considered printed matter that we’re used to and produced a series of large-scale pencil drawings.

  13. List

    While there’s nothing especially unusual or out of place in the still, unpeopled scenes of Sarah Schneider’s paintings, there’s undoubtedly something intriguing, disquieting even. Rendered in eerie stillness, it feels almost like the calm before the storm, each little soap dispenser, tissue or chair sitting idle, waiting for something to happen to it.