Ines Cox designs grid-heavy exhibition identity for Brussels gallery Design Vlaanderen

Date
27 October 2015

We first covered designer Ines Cox’s design practice back in March, when she had only recently established her eponymous studio. Since then she has designed Kwintessens magazine, published by Design Flanders and authored a variety of projects in exhibition design and publishing.

Her latest project, an exhibition design for the show The Ten uses monochrome dots and grids to bring clarity to the print and exhibition space hosting ten works by ten designers. Held at the Design Vlaanderen Gallery, the nature of the show means that it could have been chaotic if it weren’t for Ines’ coherent identity design. Having quite literally organised each contributor into square and rectangular elements, the work stands out and flourishes without seeming overwhelming. Ines’ printed matter for The Ten manages to balance readability with interactive folds and pictorial elements to the type, making for a very respectable addition to her burgeoning portfolio.

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Ines Cox: The Ten

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Ines Cox: The Ten

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Ines Cox: The Ten

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Ines Cox: The Ten

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Ines Cox: The Ten

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Ines Cox: The Ten

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About the Author

Billie Muraben

Billie studied illustration at Camberwell College of Art before completing an MA in Visual Communication at the Royal College of Art. She joined It’s Nice That as a Freelance Editorial Assistant back in January 2015 and continues to work with us on a freelance basis.

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