Launch Recite Me assistive technology
A red-tinted photo of a cluttered desk covered in makeup tubes, brushes, and small containers. A bold white banner across the top reads “INTRODUCING”.

Introducing: Meet the grotesque painted characters of illustrator Oh Papa

—
Date
5 September 2013

Oh Papa is the illustrating alter ego of Caitlin Duennebier an American creative from Massachusets who’s transplanted herself in London by way of an exchange programme at University of the Arts. Since graduation she’s been working hard building a base of freelance clients that come to her for witty, slightly grotesque drawings of shirtless, hairy-legged hillbillies getting themselves in all sorts of trouble with bare-breasted crones. We fell in love with Caitlin’s work for her brilliantly crude renderings of human faces. In a few simple brushstrokes she’s capable of creating the most malicious, toothy scowl on a fleshy pink head; a skill we reckon is pretty worthwhile.

Anyway, more importantly than our assessment of her work, here’s what she had to say for herself…

An artist's desk is cluttered with painting supplies, including tubes of paint, brushes in a holder, and a small dish of black paint. A sketchbook with a brown cover features a drawing of figures and the text “Symphonische Variationen Sinfonische”.
Above

Oh Papa’s studio

A black dog lies on a grid-patterned cushion on a cork floor. Beside them is a framed illustration of a face with a black hat and beard, a white tube, and a white tote bag.
Above

Oh Papa’s studio

Where do you work?

Panther House Studio building in Clerkenwell. It’s hard sharing a studio with panthers. 

How does your working day start?

I usually make a list of crucial things that need to get done that day, check emails and accumulate strange images I find online. Clients often want small changes to an illustration so I spend most days drawing, scanning and photoshopping. With my own work I gain inspiration from odd things I see or hear day to day. I’m a real people watcher. I tend to write down things I’ve noticed in the morning and pin them to the wall.

How do you work and how has that changed?

I tend to have four projects going at once. I work on one depending on my mood. Sometimes I may be feeling a bit experimental and other times I want it to be very clean and perfect. I used to think I could only work in one medium but have embraced anything that will make the piece look as I imagined. I have a notebook full of grand ideas but my best work starts with a vague thought that ends up painting itself. 

Where would we find you when you’re not at work?

Usually walking my dog, George, in Victoria Park. You’d probably see me awkwardly trying to pull him off a beagle named Henry – they are in love.

Would you intern for yourself?

Yes! Especially if it meant doing extensive research on hobos and pulling faces for myself to paint.

An illustration for a music score features two stylised figures dancing within an ornate blue border. The border is decorated with cherubs and classical columns, with the text “Breitkopf & Härtel’s Partitur-Bibliothek” at the top. At the bottom, a caption reads “THE DANCE OF PHILOMENA + BETSY”.
Above

Oh Papa: Paintings

An illustrated music score cover for Antonín Dvořák’s “Symphonische Variationen”. The brown page is decorated with several surreal, simplified figures and faces floating around the elegant black calligraphy.
Above

Oh Papa: Paintings

An illustration of a stylised face with a large, grey nose and a small patch of black hair on top. The figure has wide eyes and a grimacing mouth showing a row of teeth.
Above

Oh Papa: Paintings

An illustration of a grey-skinned figure with long black hair, looking to the side with a strained expression. The figure is shown from the chest up against a plain, off-white background.
Above

Oh Papa: Paintings

An illustration of a figure standing against a white background. They wear a black hat, black shorts, spotted tights and black heeled boots.
Above

Oh Papa: Paintings

A black and white illustration of a figure with long, wavy hair and a concerned expression. They are shirtless, wearing black trousers, and holding a knife in their right hand.
Above

Oh Papa: Paintings

An illustration of two figures standing against a plain white background. One figure is red with black hair and black trousers, while the other is grey with black trousers.
Above

Oh Papa: Paintings

An illustration of two grey figures wearing black hats and trousers against a white background. One figure holds two small black guns, pointing one at the other person, who raises their hands in surrender.
Above

Oh Papa: Paintings

An illustration of a tall, black silhouette of a creature against a white background. It has four sets of eyes stacked vertically on its head and two clawed hands.
Above

Oh Papa: Paintings

Share Article

Further Info

About the Author

James Cartwright

—

James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.