Of all the ways illustration is utilised in modern media, its ability to make charitable organisations more accessible to children and vulnerable people is still the one I find the most effective. Something about those pencil lines and roughly drawn faces is humanising and honest in a way that flashy, cutting edge graphic design doesn’t always manage to be.
Childline’s new campaign which seeks to pull down the barriers that might prevent children from getting in touch with them for a chat whether that be out of fear, pride or embarrassment, is a prime example of this. To help this process along they’ve asked Jean Jullien (there’s no pretending you’re unsure of who he is or what he’s done – he’s on the site every other week) to create a series of ads about some of the things which are scarier than calling. Characteristically cheeky and undeniably powerful, we think he’s done a cracking job.
- Hippolyte Cupillard’s film follows the dreamlike ascent of a mountain climber
- Meet the speakers: Frances Corner, Yukai Du, Akinola Davies and Simon Landrein
- Illustrator Antoine Cossé talks about the highs and lows of creating comic books
- How Greg Barth and Droga5’s surreal, retro-futuristic ad for MailChimp was made
- Llewellyn Mejia's paintings created in between commercial projects
- Robert Nicol’s brutish but spirited illustrations spanning artistic mediums
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris