Of all the ways illustration is utilised in modern media, its ability to make charitable organisations more accessible to children and vulnerable people is still the one I find the most effective. Something about those pencil lines and roughly drawn faces is humanising and honest in a way that flashy, cutting edge graphic design doesn’t always manage to be.
Childline’s new campaign which seeks to pull down the barriers that might prevent children from getting in touch with them for a chat whether that be out of fear, pride or embarrassment, is a prime example of this. To help this process along they’ve asked Jean Jullien (there’s no pretending you’re unsure of who he is or what he’s done – he’s on the site every other week) to create a series of ads about some of the things which are scarier than calling. Characteristically cheeky and undeniably powerful, we think he’s done a cracking job.
- Design's many, many layers, and the power of music, at Nicer Tuesdays July
- It’s just life: The democratic eye of William Eggleston
- Tim Lahan is the new Mystic Meg with horoscope illustrations for Elle Magazine
- Musical instruments with a modernist aesthetic by Hundo
- Former Buzzcocks drummer John Maher exhibits his photography work in Nobody's Home
- Monument Valley creator ustwo gives us a peek at its bookshelf
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale