If you’re not familiar with Jillian Tamaki’s work then we suggest you stop what you’re doing and get acquainted pretty damn quick. The Alberta native has been making huge waves in the illustration industry for a good six or seven years now and we feel we’ve probably let you all down by not showing her work here previously.
In Jillian’s portfolio the brush is king and her exquisite inked lines demonstrate a skilled draftsmanship that’s not seen often enough among regularly commissioned illustrators. Thematically she’s as varied as her clients, though every image she creates maintains a playful sense of intangibility; even when grounded firmly in a rainy city her characters seem to be elsewhere. She also draws animals like an absolute pro.
Now a teacher at the prestigious School of Visual Arts in New York she still finds time to pack in a mammoth amount of editorial commissions as well as various ongoing graphic novel projects with her cousin Mariko Tamaki. Impressive stuff!
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- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
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- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations