It must be an incredibly satisfying endorsement of your talents when a publication with the heavyweight clout of The New York Times decides to use your illustration in a completely new and challenging fashion. Jillian Tamaki’s already a big hitter in the US illustration world, but even so the paper’s recent decision to paste her imagery wide across the centre of a double-page, broadsheet spread is testament to the power of her illustrative skills and ability to communicate swiftly and wordlessly.
But no wonder really. A quick glance at the image tells you all you need to know about the elegance of Jillian’s work. Even when she’s communicating ideas as hard-hitting as the ecological decline of our planet there’s still room for beauty in there. Meanwhile articles that illustrate retirement plans have room for careful aesthetic consideration; the end result something you’d happily have hung on your wall. There’s not many editorial illustrators out there with such a delicate balance of intelligence and craft, which makes Jillian a valuable part of the visual landscape.
- The sun's shining, the weather is sweet: here's the Best of the Web
- Great new film series profiling the individuals challenging the macho stereotypes of rugby
- Tom Cockram's photographs of Brazil’s street culture in the lead up to last year’s World Cup
- Clever, well-observed editorial illustrations from Toronto-based Peter Thomas Ryan
- Creative producer Luella Lane tells us about her amazing 80s sticker collection
- Utopia-focussed design work from studio Public School
- New Channel 4 identity by creative dream team of 4Creative, Jonathan Glazer, Neville Brody and DBLG
- Pentagram Partner Michael Bierut shares his wisdom on what makes a truly great logo design
- A new stop-motion Honda advert took four months, dozens of illustrators and thousands of drawings
- Phwoar! Typophiles, swoon over this cornucopia of contemporary typography
- “What’s your style? I don’t fucking know. You tell me mate”: A no nonsense look at the work of Barber Osgerby
- Photographing the choreography and chaos of the England cheerleading team