It must be an incredibly satisfying endorsement of your talents when a publication with the heavyweight clout of The New York Times decides to use your illustration in a completely new and challenging fashion. Jillian Tamaki’s already a big hitter in the US illustration world, but even so the paper’s recent decision to paste her imagery wide across the centre of a double-page, broadsheet spread is testament to the power of her illustrative skills and ability to communicate swiftly and wordlessly.
But no wonder really. A quick glance at the image tells you all you need to know about the elegance of Jillian’s work. Even when she’s communicating ideas as hard-hitting as the ecological decline of our planet there’s still room for beauty in there. Meanwhile articles that illustrate retirement plans have room for careful aesthetic consideration; the end result something you’d happily have hung on your wall. There’s not many editorial illustrators out there with such a delicate balance of intelligence and craft, which makes Jillian a valuable part of the visual landscape.
- All of human life was there: welcome back to the Best of the Web
- Jody Barton's passionate and political work masters many disciplines
- A Hail Mary pass: how to win the ads at the Super Bowl
- February diary: Where to go and what to see
- Hey Studio’s athletic and geometric typeface for ESPN’s magazine
- Karl Hab’s hypnotic photographs taken out of a plane window
- Racy photography from the new issue of Odiseo
- How to beat creative block: one designer offers his invaluable advice
- Bureau Mirko Borsche works with Nike Basketball on a new graphic language
- Challenging sexism, workplace stress and mindfulness through illustration
- Meditation and creativity: should we believe the hype?
- Why Fonts Matter, and how they impact your mood