Illustration is one of those wonderfully versatile forms of mark-making which comes in every different guise imaginable – from dynamic, fast-paced and full of action, to slow, deliberate and painstakingly detailed – so it’s more or less a given that the very best illustrators out there will have mastered as many different styles as possible. This is where Josh Cochran comes in.
He belongs to that rare school of visual storytellers who tend to find success as editorial illustrators, whose handle on their medium is so complete that they are able to convey complex, multi-layered messages through a single image. Whether that be for an article in a financial magazine about how companies roll content from one place to another, or an enormous mural spanning whole walls created in response to a collection of life goals and dreams, no idea is too abstract for Josh’s talents. if you don’t believe me, here’s an update on what he’s been setting his masterful mind to of late.
- TFI the weekend! Here's the Best of the Web, as deemed by It's Nice That
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations