Illustration is one of those wonderfully versatile forms of mark-making which comes in every different guise imaginable – from dynamic, fast-paced and full of action, to slow, deliberate and painstakingly detailed – so it’s more or less a given that the very best illustrators out there will have mastered as many different styles as possible. This is where Josh Cochran comes in.
He belongs to that rare school of visual storytellers who tend to find success as editorial illustrators, whose handle on their medium is so complete that they are able to convey complex, multi-layered messages through a single image. Whether that be for an article in a financial magazine about how companies roll content from one place to another, or an enormous mural spanning whole walls created in response to a collection of life goals and dreams, no idea is too abstract for Josh’s talents. if you don’t believe me, here’s an update on what he’s been setting his masterful mind to of late.
- Four illustrators have their works drawn by Joto at Here 2017
- David Lewandowski’s floppy rubber bodies take over the streets of Japan
- Ella Bucknall tackles the “boy’s club” of political cartooning in her new zine, Whip
- Anna Haifisch bends the rules of comics in new floppy and oversized book, Drifter
- Illustrator Jill Senft creates fun and whimsy with her cavalcade of pink characters
- White Flag project that is tackling global division and the “growing fear of the stranger”
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos