It takes an impressive person to put a positive spin on life’s gloomy patches; after all “the undeniable impact mankind has had on the planet” has never been the rosiest of conversation topics. But what an impressive man Keith Negley is; illustrating the gloomiest of things in the most beautiful ways. It has to be said that this New York creative is one fine illustrator!
Specialising in editorial and with a client list stretching further than a can of silly string in the hands of a smarties-infused five year old, (try The New York Times, Wall Street Journal and Bloomberg for some name-dropping) it’s easy to see why he’s so regularly commissioned.
With his never-ending colour palette and exploration of life’s dark themes – including depression (New York Times Book Review: Michael Mogriff) and loss (New York Times Book Review: Graham Swift) – in a uniquely beautiful and curious way, Keith’s illustrations are some of the most sensitive we’ve laid eyes on.
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll's bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson's Morris Dancing-heavy first music video in six years
- A lifestyle magazine for realists, Oikos breaks the mould
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations