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Small, rectangular metal blocks are embedded into the fabric of a green T-shirt. The blocks protrude from the material like a miniature city skyline across a white graphic.

Photography: We finally celebrate the brilliant mind of Kevin van Aelst

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Date
23 October 2013

Occasionally on our daily It’s Nice That safari of creativity, we come across a big beast who we assume has long since graced these pages only to find that for some inexplicable reason they’ve slipped through the net. So it gives me great pleasure to present the work of Kevin van Aelst. For four years his weird and wonderful photographs illustrated the The Medium section of The New York Times and his work has also appeared in titles like Time, Wired, and Scientific American.

Some of this work you may have seen before, but there’s still a time and a place to celebrate a creative talent who combines limitless imagination with excellent execution. So whether it’s USB sticks poked through a pullover to create a cemetery or the world’s time zones represented via broken biscuits, now is that tine and here is that place. If you know the work remind yourself of its brilliance, if you don’t prepare to be delighted…

Eight round crackers are arranged in two rows against a black background. Each cracker is broken into pieces to resemble a clock face, with city names like “New York” and “London” written below them.
Above

Kevin van Aelst: World Time Zones

A view through an open window at night. A yellow measuring tape extends from the windowsill, stretching out into the dark trees outside.
Above

Kevin van Aelst: Driving At Night

A red apple has been carved so that the remaining skin forms a map of the world. The pale flesh of the fruit shows through where the continents have been removed.
Above

Kevin van Aelst: Apple Globe

A blue sculptural rug sits on a polished wooden floor in a white room. In the centre, the pile rises into a 3D form resembling a splash of liquid.
Above

Kevin van Aelst: Splash

A person lies face down on a patterned pillow, holding an open book. Several black stitches are sewn directly into their brown hair.
Above

Kevin van Aelst: One Heart Beat

A 3D render of a bright blue shopping trolley against a plain white background. The trolley is simplified and minimalist, with a grid-like basket and four small circular wheels.
Above

Kevin van Aelst: Blue Tape

A sculpture of a cube constructed from yellow measuring tapes. The tapes are folded and joined to create a series of interlocking geometric frames.
Above

Kevin van Aelst: Tesseract

Cheetos corn puffs are arranged on a dark brown surface to form a giant fingerprint. A small black electronic device sits in the top right corner.
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Kevin van Aelst: Right Ring Finger

A cherry pie sits on a blue and white checked tablecloth next to a glass of milk. The pastry crust is shaped into a large, detailed fingerprint.
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Kevin van Aelst: Left Middle Finger

A white tray filled with grey sand contains a large fingerprint pattern made from brown seeds. The tray sits on a floor covered in old newspapers, with a yellow broom resting nearby.
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Kevin van Aelst: Left Pinky Finger

A giant fingerprint is laid out on a wooden floor, created from lengths of brown magnetic cassette tape. The fingerprint is surrounded by scattered cassette tapes, handwritten notes and photographs.
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Kevin van Aelst: Right Index Finger

A giant fingerprint made of white powder is centred on a dark red tabletop. Around it sit a cup of tea, salt and pepper shakers, and a small plate with a knife.
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Kevin van Aelst: Right Middle Finger

A mint green Royal typewriter sits against a black background. A sheet of white paper in the carriage features a large, embossed fingerprint.
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Kevin van Aelst: Right Thumb

A top-down view of a wooden table where mustard has been squeezed into a large, swirling fingerprint pattern. Two ham sandwiches sit in the centre of the print, with more bread, ham and a knife nearby.
Above

Kevin van Aelst: Left Ring Finger

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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