Lara’s practice stretches all the way across printmaking, woodcuts, video, stop-motion animation and writing, and with such a broad spectrum under her belt she has plenty to inform what has become a very refined aesthetic. With a range of colours that practically oozes her native California – tanned limbs, blue skies and sunshine yellow houses? Yes please! – and a first-rate grasp of composition, her work is suuuuuper nice.
We’re especially excited about her papercuts; empty spaces and carefully rendered tiny detail work together harmoniously to create quietly funny images, with whole visual narratives transcending their medium to tell stories. Lara’s not afriad of their fragility, either; watch police cars crumple and airplanes fall to pieces as she plays with the temporary nature of the pieces she creates. Lovely stuff!
- Hold Me Closer Tiny Dancer: the Stein sisters’ heart-warming film on child ballroom stars
- Three female art directors on collaboration, competition and confidence
- Pooneh Ghana’s ambient crowd and artist portraits from Pitchfork Music Festival make you wish you were there
- Julian Glander explains what a blockchain system is for MIT Technology Review
- “It’s a process of baby-making”: designing the horrific and hilarious multiverse of Rick and Morty
- Pouya Ahmadi uses typography to “bridge the gap between poetry, performance and space"
- The Sky Sports rebrand features bespoke type and refined logos across nine channels
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Applicants to UK arts and design university courses declines by over 14,000 this year
- Michael Bierut designs new brand identity for the Poetry Foundation
- Design, Revolt, Rainbow: the pioneering work of graphic designer Willy Fleckhaus