Lara’s practice stretches all the way across printmaking, woodcuts, video, stop-motion animation and writing, and with such a broad spectrum under her belt she has plenty to inform what has become a very refined aesthetic. With a range of colours that practically oozes her native California – tanned limbs, blue skies and sunshine yellow houses? Yes please! – and a first-rate grasp of composition, her work is suuuuuper nice.
We’re especially excited about her papercuts; empty spaces and carefully rendered tiny detail work together harmoniously to create quietly funny images, with whole visual narratives transcending their medium to tell stories. Lara’s not afriad of their fragility, either; watch police cars crumple and airplanes fall to pieces as she plays with the temporary nature of the pieces she creates. Lovely stuff!
- Making branding with a purpose: what can we learn from the Bauhaus?
- Jeremy Jansen’s graphic design work bridges concept and coherency
- Michael Craig-Martin: a cool, clean and colourful riot of everyday objects
- Anatoly Grashchenko's randomly generated posters for a Moscow theatre
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Bobby Doherty’s vivid and humorous still-life photography
- Should illustrators be treated like designers?
- Why “cool” stunts creativity: one agency offers its opinion
- Fresh, vibrant poster work from South Korean designer Soojin Lee
- Grey London's thoughtful, powerful and innovative new campaign for Tate Britain
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Introducing French design studio plus mûrs and its beautiful poster designs