Lara’s practice stretches all the way across printmaking, woodcuts, video, stop-motion animation and writing, and with such a broad spectrum under her belt she has plenty to inform what has become a very refined aesthetic. With a range of colours that practically oozes her native California – tanned limbs, blue skies and sunshine yellow houses? Yes please! – and a first-rate grasp of composition, her work is suuuuuper nice.
We’re especially excited about her papercuts; empty spaces and carefully rendered tiny detail work together harmoniously to create quietly funny images, with whole visual narratives transcending their medium to tell stories. Lara’s not afriad of their fragility, either; watch police cars crumple and airplanes fall to pieces as she plays with the temporary nature of the pieces she creates. Lovely stuff!
- Sam Nhlengethwa's lithographs are inspired by other artists
- Elliott Arndt, an upcoming director with narrative flair
- Scott King, Roger Hiorns and Tom Morton discuss provocation for new book The Creative Stance
- Flaneur explores the magic of Moscow in its biggest issue yet
- Brooklyn illustrator Ping Zhu and her breezy brushstrokes full of energy
- Irreconcilable Truths: a 1500-page survey of legendary photographer Don McCullin’s work
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design