Lara’s practice stretches all the way across printmaking, woodcuts, video, stop-motion animation and writing, and with such a broad spectrum under her belt she has plenty to inform what has become a very refined aesthetic. With a range of colours that practically oozes her native California – tanned limbs, blue skies and sunshine yellow houses? Yes please! – and a first-rate grasp of composition, her work is suuuuuper nice.
We’re especially excited about her papercuts; empty spaces and carefully rendered tiny detail work together harmoniously to create quietly funny images, with whole visual narratives transcending their medium to tell stories. Lara’s not afriad of their fragility, either; watch police cars crumple and airplanes fall to pieces as she plays with the temporary nature of the pieces she creates. Lovely stuff!
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Take the Jack Sachs animated tour of the Tate Britain, and meet his odd CG characters along the way
- The effortlessly lovely hand-drawn illustrations of Paula Bulling
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich