A lot happens in cartoonist Lisa Hanawalt’s mouths. Sporting sexy high fashion, lizards drape themselves over fast cars with suggestive, slithering tongues. On construction sites, busty canine workers let their floppy tongues hang out as they fumble with hoses and cavort on excavators. In the forest, pink hounds happily leap out of a huge Darth Vader/puppy’s verdant, gaping jaws. Meanwhile, Obama swallows love-struck, tongue-entwined Romney and Ryan whole.
Brooklyn-based Hanawalt’s comics and illustrations have been gracing McSweeney’s, The Believer, The New York Times and other quality magazines for ages now. They’re bright, bizarre and often crammed with textile-clad animals partaking in suggestive anthropomorphic activities. They’re also, of course, very well drawn and designed. If you haven’t feasted upon them yet, get stuck in; if you have, feast again.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich