Royal College of Art student Maiko Takeda is a breath of fresh air in the world of millinery. Her architectural headpieces resemble porcupine quills, ostrich feathers and tiny iridescent fish scales, all artfully woven together with logic and geometry in mind. Their likeness to elements of the natural world are apt, too, as the pieces react strongly to the light, wind and colours of the environment they are worn in.
Maiko counts Issey Miyake, Stephen Jones and Philip Treacy among those she has worked alongside, which might give some clue as to how her career trajectory seems to be progressing; this stunning collection whispers of great things to come.
- The creative team behind John Grant’s post-apocalyptic world
- They have beauty, they have grace, they are Jack Mears’ ceramic dogs
- Caroline Tompkins deftly captures goggle marks, swim caps and foam floats
- Illustrator Jan Robert Duennweller's erratic style creates "visual headlines"
- Réka Neszmélyi's boundary breaking identity for Hungarian Bánkitó Cultural & Music Festival 2016
- Five things to remember as a young creative
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale