Royal College of Art student Maiko Takeda is a breath of fresh air in the world of millinery. Her architectural headpieces resemble porcupine quills, ostrich feathers and tiny iridescent fish scales, all artfully woven together with logic and geometry in mind. Their likeness to elements of the natural world are apt, too, as the pieces react strongly to the light, wind and colours of the environment they are worn in.
Maiko counts Issey Miyake, Stephen Jones and Philip Treacy among those she has worked alongside, which might give some clue as to how her career trajectory seems to be progressing; this stunning collection whispers of great things to come.
- Oliver Jeffers, Yuri Suzuki, Anna Ginsburg and Jimmy Turrell at Nicer Tuesdays
- An exercise in colour and control: David Hockney’s 82 portraits and one still life at the RA
- Woodstock 1969 immortalised on film by iconic photographer Baron Wolman
- Laurina Paperina's dark, weird but charming work
- Studio Frith creates Patti Smith-inspired identity for the inaugural Art Night festival
- Cindy Yang’s poignant animation questions the routine and mundanity of life
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Reactions to the referendum and our weekly Best of the Web
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- Pop, subcultures and the future of graphic design: an interview with Experimental Jetset
- Oliver Curtis photographs the world’s most famous monuments, the wrong way round