One summer when I worked in a pub I had a colleague who never expressed one iota of joy or enthusiasm about anything. That is until the day a Smiths song came on the radio and she almost lost it, regaling me for the rest of the day about her all-consuming lust/love for Morissey and the various times she saw the band live in the 1980s.
For someone of my generation The Smiths have been coopted into the cultural mainstream, this is a band selected by David Cameron on Desert Island Discs and whose music was used for the much-garlanded John Lewis Christmas ad last year which was as saccharine as it was successful.
It seems timely then that Proud Camden this week opens Manchester: So Much to Answer For, a collection of photos by Kevin Cummins. With amazing access he captured this daring, influential group of musicians at the apogee of their popularity, and his aesthetic sense of melodrama is well in keeping with the band’s own outlook.
Manchester: So Much To Answer For, runs from 1st June to the 15th of July.
- Rob Flowers, Roberto Rosolin, Liv Siddall and Greg Barth at Nicer Tuesdays October
- Milou Trouwborst's refined, simplistic and melancholic illustrations
- "It was strangely liberating" – Christoph Niemann on creating his new book Sunday Sketching
- Designer Okuyama Taiki encourages you to “play freely” with his experimental posters
- Gijs Henselmans’ illustrations: absurd, gruesome, but always hilarious
- All That Glitters: inside the Barbican’s “vulgar” catalogue
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design