Manuel Birnbacher’s practice is a curious amalgam of smart, contemporary graphic design and strangely compulsive art-like-work (see the throbbing rock on his homepage). A portfolio like this is an open and well-spoken answer to some nasally voiced questions about the parameters of applied design and when it turns into “art” or Art or art.
What Manuel has – no doubt honed during his simultaneous education at the Pratt Institute New York and at the Bauhaus University Weimar – is an ability to apply fundamental/classic graphic design with deft communicability and then in the same breath use them, for example, to manipulate unfortunate deformities into the faces of America’s Civil War heroes.
It is one of the most commendable features to his work that even this strangeness is of a high quality, it makes his body of work so much more memorable and, as a parting gift, the designer will never again let us see a picture of Abraham Lincoln without us conjuring a mental image of the old president’s face falling off. A thank you to Manuel.
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s