If ever an image were to make you look twice, these intricate and infinitely layered digital collages from Womankind by María María Acha-Kutscher will do it. Yes, collages! Composed with hundreds of tiny fragments from the internet, magazines, books and the artist’s own photographs, each image is principally concerned with the two key historical moments for women’s emancipation; the British suffrage movement of the early twentieth century, and the introduction of the pill in the 1960s. Reclaiming each tiny piece from its original context and repurposing it in this way allows María to reconsider the meaning within a private, woman-centric sphere.
She explains: “Womankind seeks to redefine the meaning of the images upon which the history of women has been built since the invention of photography, where traditionally they have been relegated to the background in paternalistic, hegemonic stories. In my collages, I rescue a female historical memory, reflecting both our political struggles and the complexity of our private worlds.”
- You lucky devils, it's Best of the Web!
- Bogdan Ceausescu and Sebastian Pren experiment with grids and shapes in their latest zine
- Friday Mixtape: Illustrator and guitarist Sophy Hollington's *feels* mixtape
- Photographer Anastasia Korosteleva's waterborne portraits of Maldivian girls
- We caught up with photographer Adama Jalloh
- Seoul studio Everyday Practice talks about its collaborative approach to design
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- Photographer Sophie Mayanne’s new personal project celebrates imperfection (NSFW)
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- The daily grind: Louis Quail’s photographs of fascinatingly mundane offices
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Matthew Raw: the east London artist making clay great again