If ever an image were to make you look twice, these intricate and infinitely layered digital collages from Womankind by María María Acha-Kutscher will do it. Yes, collages! Composed with hundreds of tiny fragments from the internet, magazines, books and the artist’s own photographs, each image is principally concerned with the two key historical moments for women’s emancipation; the British suffrage movement of the early twentieth century, and the introduction of the pill in the 1960s. Reclaiming each tiny piece from its original context and repurposing it in this way allows María to reconsider the meaning within a private, woman-centric sphere.
She explains: “Womankind seeks to redefine the meaning of the images upon which the history of women has been built since the invention of photography, where traditionally they have been relegated to the background in paternalistic, hegemonic stories. In my collages, I rescue a female historical memory, reflecting both our political struggles and the complexity of our private worlds.”
- Iris Erlings’ delicate drawings are inspired by the works of modernist sculptors
- Node Berlin Oslo talks through its redesign of Haus der Kulturen der Welt
- A closer look at five creatives speaking at Design Indaba 2017
- Anxiety, speed and rave flyers: artist Mark Leckey on his iconic video "Fiorucci Made Me Hardcore"
- We speak to Lovetrue director Alma Har’el about her surrealist short film for The Fifth Sense
- Adventures in Typography: Spin’s new book about its creative process
- UN Women Egypt releases intricately illustrated print ads to highlight gender divide at work
- Chinese photographer Ren Hang has died aged 29
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Miffy creator, author and illustrator Dick Bruna dies aged 89
- Photographers Kelia Anne MacCluskey and Luca Venter explore the limits of reality