Collage is an art-form that can occasionally carry a whiff of the emperor’s new clothes, and there’s an over-abundance of uninspiring work that seems to have little sense of itself. The knock-on effect of this is that when a real star comes along, you can spot him immediately, though we’re by no means the first to appreciate the uber-talent of Mark Lazenby. Over two decades the man has made collages for almost all the top names in media-land, from The Guardian and The New York Times to Vogue, Wired and GQ – he can also boast Sir Peter Blake as a fan.
But when the work is this consistently good, we’re not ones to eschew a good old-fashioned bandwagon jumping. Mark is able to switch between dazzlingly effective communication of a single, simple idea and more convoluted pieces which hint at several narratives simultaneously, plus he uses typography in a really interesting way. Why not lose yourself in his website for an hour/afternoon?
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label