Collage is an art-form that can occasionally carry a whiff of the emperor’s new clothes, and there’s an over-abundance of uninspiring work that seems to have little sense of itself. The knock-on effect of this is that when a real star comes along, you can spot him immediately, though we’re by no means the first to appreciate the uber-talent of Mark Lazenby. Over two decades the man has made collages for almost all the top names in media-land, from The Guardian and The New York Times to Vogue, Wired and GQ – he can also boast Sir Peter Blake as a fan.
But when the work is this consistently good, we’re not ones to eschew a good old-fashioned bandwagon jumping. Mark is able to switch between dazzlingly effective communication of a single, simple idea and more convoluted pieces which hint at several narratives simultaneously, plus he uses typography in a really interesting way. Why not lose yourself in his website for an hour/afternoon?
- Cheer Up Luv: the photography project sharing womens' experiences with sexual harassment
- “Bold, concise, minimalist and sometimes abstract”: a look at Jeong Hwa Min’s new illustrative approach
- Patrik Mollwing’s illustrations and wigglegrams depict a cast of colourful characters
- Between the pages of Polanski’s suburbia-themed sixth issue
- Hacking Heidelberg: how Erik Spiekermann came to reinvent the printing process
- ManvsMachine on its hugely diverse campaign for Air Max Day
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- Life through the lens of enchanting photographer Vicki King
- The New York Times Magazine’s new cover is actually a painting
- Illustrator Ram Han’s Alice in Wonderland dreamscape
- Ikea uses ASMR technology in 25-minute, tingle inducing advert
- Designs of the Year 2017 shortlist includes Wolfgang Tillmans’ Remain campaign, the Refugee flag and Me & EU