Mustafah Abdulaziz is surrounded by the same landscape, lit by the same saturating afternoon light as the rest of us, but sees things differently, capturing “the scene that strives to appear one way but looks to me another.” Memory Loss is about how people appear in an environment that is so familiar to them that they stop seeing and consequently, forget how they appear in it.
It takes a photographer, ideally one like Mustafah, to freeze the moment and hold it up for us all to marvel at for its strangeness/curiosity/sublimity. These wonderful moments – a singular character in a crowd or a face pulled by a child that a mother doesn’t see – are our total disconnects from a staid reality and, for the most part, we hardly even notice.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s