Mustafah Abdulaziz is surrounded by the same landscape, lit by the same saturating afternoon light as the rest of us, but sees things differently, capturing “the scene that strives to appear one way but looks to me another.” Memory Loss is about how people appear in an environment that is so familiar to them that they stop seeing and consequently, forget how they appear in it.
It takes a photographer, ideally one like Mustafah, to freeze the moment and hold it up for us all to marvel at for its strangeness/curiosity/sublimity. These wonderful moments – a singular character in a crowd or a face pulled by a child that a mother doesn’t see – are our total disconnects from a staid reality and, for the most part, we hardly even notice.
- Anna Haas’ structured yet anarchic approach to graphic design
- “Made for designers, not 3D experts”: Adobe Stock demystifies 3D renders
- Tanawat Sakdawisarak’s crisp illustrations reference pop music and video games
- Photographer Jay Wolke remembers gambling spots in the US during the 80s and 90s
- Chaz Bundick talks us through the new digitally personable Company website
- Animator Frances Haszard’s gender neutral breakup story
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books