Mustafah Abdulaziz is surrounded by the same landscape, lit by the same saturating afternoon light as the rest of us, but sees things differently, capturing “the scene that strives to appear one way but looks to me another.” Memory Loss is about how people appear in an environment that is so familiar to them that they stop seeing and consequently, forget how they appear in it.
It takes a photographer, ideally one like Mustafah, to freeze the moment and hold it up for us all to marvel at for its strangeness/curiosity/sublimity. These wonderful moments – a singular character in a crowd or a face pulled by a child that a mother doesn’t see – are our total disconnects from a staid reality and, for the most part, we hardly even notice.
- Submit Saturdays: Tips for Social Media
- New Originals: introducing the London Rollergirls
- The best things on the internet, readers' comments and who to follow on social media
- Our A-Z Guide to the UK's 2016 Graduate Shows
- LGBT in advertising: “What we need now is bravery"
- Images packed with life, leather and charm in Bex Day's new series for Pylot
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"