Recent Chelsea graduate Nathalie Guinamard is interested in how our memories and identities are shaped by the physical spaces we live in and the tangible objects with which we surround ourselves. Her work has evolved over the past few years but her fantastic latest updates see her add blocks of gouache to images of interiors from the 1950s and 1960s.
These interventions can range from simple sweeps of block colour to more subtle additions and manipulations all of which make us question our relationships with our living spaces and the almost theatrical precision with which we arrange and furnish them, well aware as we are what our houses say about us.
She says: "The paint is used as an editing tool to carefully select what parts of the image to show and which to hide, leaving certain elements, i.e. furniture, floating in a sea of colour.
“The pictorial space is flattened through the addition of colour, which I hope disorientates and dislocates the viewer. The images I use are carefully selected to be setup or aspirational interiors from mid 20th century interior design books, which acts to further disengage the experience of my work from the reality of lived in spaces.”
- Photographer Damien Maloney on working intuitively and playing with reality
- “Prayer paintings, manga and motivational images”: Gitte Maria Moller's cryptic artworks
- Jad Hussein's tropical catalogue design for Paris exhibition Jamaica, Jamaica
- From Lemon Twigs to Laura Marling: Hollie Fernando’s painterly photography folio
- Hey presto, it's Best of the Web!
- Paris-based Studio Jimbo creates "impact and power" with punchy poster designs
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos