Today is the 13th anniversary of the attacks on the Twin Towers and a day of sober reflection on that world-changing day. Unsurprisingly The New Yorker has dedicated several covers to the tragedy and its aftermath over the years, and this week they posted a slideshow of 12 of the best. From Art Spiegelman and Françoise Mouly’s dark-outlined early contribution to more satirical efforts in subsequent years, the covers provide a potent reminder of the power illustration can still wield in modern society.
See the whole selection on The New Yorker website.
- Making branding with a purpose: what can we learn from the Bauhaus?
- From woodcut type to spinning tops: Can collecting inform your creative work?
- Jeremy Jansen’s graphic design work bridges concept and coherency
- Michael Craig-Martin: a cool, clean and colourful riot of everyday objects
- Anatoly Grashchenko's randomly generated posters for a Moscow theatre
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Should illustrators be treated like designers?
- Why “cool” stunts creativity: one agency offers its opinion
- Fresh, vibrant poster work from South Korean designer Soojin Lee
- Grey London's thoughtful, powerful and innovative new campaign for Tate Britain
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Introducing French design studio plus mûrs and its beautiful poster designs