It’s a relief to put names to projects and right now I’m feeling the same sense of euphoria as yesterday when the change in my pocket matched the price of a white chocolate kitkat exactly. Raw Color, an Eindhoven-based studio consisting of one Daniera ter Haar and one Christoph Brach, are responsible for a number of impossibly great projects and collaborations that I’ve seen spread out across the ether in a beguiling one-image-wins-prizes sort of way.
There is the photo essay commissioned by Nowness with Martin Creed – a celebration of balancing food stuffs that appear on the menu of Pierre Gagnaire’s Sketch restaurant – the temporary, multiple-exposure recreation of trees with Mkgk, the contiguous paper still life constructs, wonderfully suggestive photoshoot for Dutch Invertuals, and, most recently, Cryptographer & Encoded Textiles. With multiple experts to help them realise it, Raw Color created a bleach printer that would draw out a custom code in place of your regular alphabet in an ever-changing pattern onto lengths of fabric. When concluded, the piece literally becomes part of the furniture (or accessory?) and suddenly the digital, intangible language is made real – and in tasteful geometrics!
- Marcie LaCerte’s obscure animation follows the pursuit of some summer love
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s