This time of year makes me feel pretty festive in a way the official holidays never do. Graduate season is upon us and as we at It’s Nice That gear-up for our annual graduate showcase, it’s near impossible to ignore the abundance of post-graduate glory surfacing from the masters courses. And why would we?! Especially if their body of work is anything like the Royal College of Art illustrator Robert G. Fresson.
Harnessing with utmost respect the same aesthetic tone in its careful cymk separation, the fine-outline detailing and colour of Jean Giraud or Winsor McCay’s Little Nemo comics, Robert makes the work his own with beautifully-realised narratives run through with a special humour which he has quoted (“probably to himself”) as being “difficult for me to be seriously funny. I find I have an aptitude for being funnily serious” – which I thought was pretty apt.
The work lends itself wonderfully to panels and the painterly quality of the colour plus the space he gives its subjects, grants each frame a sort of extra, epic significance which only that sort of attention to detail can provide. It also allows great narrative potential between seemingly random images that appear in the same format and style, like a big disjointed comic or a really, really slow animation or, maybe, just a really fantastic portfolio that gives you plenty to read into.
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- Anna Haas’ structured yet anarchic approach to graphic design
- “Made for designers, not 3D experts”: Adobe Stock demystifies 3D renders
- Tanawat Sakdawisarak’s crisp illustrations reference pop music and video games
- Photographer Jay Wolke remembers gambling spots in the US during the 80s and 90s
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books