Illustrator Sam D’Orazio is to gouache what Robert Crumb is to pen and ink; a surreal, perverse creator of strange landscapes populated by grotesque versions of ourselves, all swollen-bodied and mentally unhinged. His characters represent some of the darkest and most confusing aspects of our day-to-day lives, haphazardly coming to terms with the situations they find themselves in; sometimes with unpredictably violent results.
But that’s not all Sam’s capable of producing, he’s also got a classical streak running through his work. He’s honed his compositional skill producing a multitude of traditional still lifes and advocates the use of abstraction within commercial illustration – a rare breed in today’s largely figurative landscape. We love Sam’s work, both for its surreal insightfulness and the way he sums up his practice: “Each thing I make is like some kind of shitty curry, and I’ve made it with all of these spices thrown in, and sometimes the cap falls off on one of the shakers.”
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Devilish charm: the illustrations of Polly Nor
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity