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A stylised illustration of a city skyline, rendered in a patchwork of flat, geometric shapes. Muted tones of blue, grey and beige form a dense arrangement of buildings under a cloudy sky.

Simply stunning illustrations for Icelandic bank by the superb Siggi Eggertsson

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Date
5 September 2012

Well rip up your holiday plans and cancel that appointment with the travel agent (old school) because if you don’t want to visit Iceland after seeing these then there’s something wrong. Very wrong.

The news that Siggi Eggertsson had updated his website got us all a-flutter and with very good reason as it turns out. There’s plenty to enjoy but the stand-out work for us were these illustrations for Icelandic bank Landsbankinn. They’re dynamic, colourful and vibrant as you’d expect if you’re at all familiar with Siggi’s stuff, but what’s really outstanding about them is the variety of environments he recreates with the same flair. It doesn’t matter if it’s a waterfall, a factory, a port, a gay pride parade, a farm or an office building, Siggi’s illustrations are brimful of impressionistic character.

Banks aren’t the most popular institutions these days but maybe after seeing these a few more will follow their Icelandic counterpart’s lead and get Siggi to work his loveable magic for them too.

And if you really needed any more convincing that Siggi’s a creative at the top of his game, his identity for this year’s Reykjavik Arts Festival and his Phillip Glass cover for The Village Voice should seal the deal.

An illustration of a crowded city street during a Pride event. A sea of people hold rainbow flags and banners beneath a bright blue sky with stylised clouds.
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Siggi Eggertsson: Gay Pride for Landsbankinn

A stylised illustration of a coastal town, rendered as a dense patchwork of geometric shapes. Muted tones of grey, beige and green form a cluster of buildings overlooking a pale blue sea.
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Siggi Eggertsson: Akureyri for Landsbankinn

A digital illustration of a greenhouse interior, rendered in a blocky, geometric style. Rows of green and red plants lead the eye toward a small figure standing in the centre.
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Siggi Eggertsson: Greenhouse for Landsbankinn

A digital illustration of a coastal landscape, rendered as a series of interlocking, puzzle-like shapes. A blue sea is framed by grey mountains and a pale blue sky.
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Siggi Eggertsson: Arnarfjordur for Landsbankinn

A digital illustration of a waterfall cascading through a rocky canyon. The landscape is composed of abstract, rounded geometric shapes in earthy tones of brown, tan and green under a bright blue sky.
Above

Siggi Eggertsson: Thingvellir for Landsbankinn

An illustration of a modern office building with a grid of blue and grey windows. The scene is rendered in a flat, geometric style with a pale blue sky and a grey road in the foreground.
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Siggi Eggertsson: Rvk for Landsbankinn

A digital illustration of a landscape composed of layered, geometric shapes. A row of simplified buildings sits beneath a blue sky with blocky white clouds.
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Siggi Eggertsson: Thordata for Landsbankinn

A complex 3D render of a futuristic interior filled with interlocking pipes, beams and geometric blocks. The scene is rendered in a muted palette of beige, cream and gold, with small accents of blue and red.
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Siggi Eggertsson: Verkstaedi for Landsbankinn

A stylised illustration of a rural landscape with a row of white houses and red roofs. A flock of white sheep grazes in a green field beneath a rugged, grey mountain range.
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Siggi Eggertsson: Sveit for Landsbankinn

A digital illustration of a city street, rendered in a blocky, geometric style. Pale buildings line the road under a clear blue sky, with simplified street lamps and signage in the foreground.
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Siggi Eggertsson: Austrurstraeti for Landsbankinn

A colourful typographic poster featuring a kaleidoscopic spiral of jagged, multi-coloured shards. A white banner at the bottom reads “Listahátíð í Reykjavík 2012” and “Reykjavík Arts Festival”.
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Siggi Eggertsson: Reykjavik Arts Festival 2012 identity

A magazine cover for “Voice” featuring a stylised illustration of a person’s head in profile. The brain is rendered as a dense, grey puzzle of interlocking shapes, while the face is a pale pink abstract form. Colorful geometric shards float around the head against a gradient background. Text in the bottom left reads “Glass Act” and describes a world-renowned composer.
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Siggi Eggertsson: Phillip Glass cover for The Village Voice

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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