Well rip up your holiday plans and cancel that appointment with the travel agent (old school) because if you don’t want to visit Iceland after seeing these then there’s something wrong. Very wrong.
The news that Siggi Eggertsson had updated his website got us all a-flutter and with very good reason as it turns out. There’s plenty to enjoy but the stand-out work for us were these illustrations for Icelandic bank Landsbankinn. They’re dynamic, colourful and vibrant as you’d expect if you’re at all familiar with Siggi’s stuff, but what’s really outstanding about them is the variety of environments he recreates with the same flair. It doesn’t matter if it’s a waterfall, a factory, a port, a gay pride parade, a farm or an office building, Siggi’s illustrations are brimful of impressionistic character.
Banks aren’t the most popular institutions these days but maybe after seeing these a few more will follow their Icelandic counterpart’s lead and get Siggi to work his loveable magic for them too.
And if you really needed any more convincing that Siggi’s a creative at the top of his game, his identity for this year’s Reykjavik Arts Festival and his Phillip Glass cover for The Village Voice should seal the deal.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s